DEDICATED TO THE PAST AND FUTURE
GOVERNOR’S ELECTION
BASED ON THE PLAY
OF THE KVARTET I THEATER
WITH THE SUPPORT OF THE
FEDERAL CULTURE AND CINMATOGRAPHY AGENCY
PRESENTS
LEONID BARATS, ROSTISLAV KHAIT,
ALEXANDER DEMIDOV, CAMIL LARIN
YEVGENIY STEBLOV, MIKHAIL YEFREMOV,
VALERY BARINOV
NONNA GRISHAEVA, ANNA AZAROVA
ELENA SHEVCHENKO, ELENA KNYAZEVA
MAXIM VITORGAN, VASILIY UTKIN,
VALERY BARINOV
ALEXANDER SEMECHEV, PAVEL ABDALOV,
MIKHAIL EVLANOV
DMITRY PEVTSOV, MARAT BASHAROV,
YEVGENIY STYCHKIN, OLEG FOMIN
ALSO
SERGEY SHNUROV
VLADIIR SHAKHRIN, VLADIMIR BEGUNOV
LEVA "B-2", SHURA "B-2"
ANDREY GRIGORIEV-APOLONOV,
OLEG YAKOVLEV, KIRILL ANDREEV
VLADIMIR KRISTOVSKIY, SERGEY KRISTOVSKIY
SEREGA
VALERY SUTKIN
ANDREY MAKAREVICH, GEORGIY MARTIROSYAN
CHAPELNIK –
A BOW FOR A FRYING PAN
A OLEG FOMIN MOVIE
ELECTION DAY
GENERAL PRODUCER
NIKOLAI ULYANOV
What a day.
[Conversation on the phone] Yes, yes,
I understand. Yes, yes, of course.
Bye.
A heavy toy. Probably expensive.
Oh! Did I see you in the audition
at the Operetta theater?
- Remember, you fell into
an orchestra pit there, yeah? – What?
- I am mistaken. And how are you called?
- Innokentiy.
Are you done with your break?!
When are you done with your break?!
Hurry up to the rehearsal!
Quickly! Quickly!
Well, Innokentiy is Innokentiy.
Innokentiy. Innokentiy!
I wanted to tell you something… Ah yeah!
What shall I talk to him about?
- Architect, about the house.
- Ah, yeah! It’s important.
- Further. – Those got stubborn.
- What's wrong with them,
they want a war? - Well, probably.
But we’ve decided something
regarding this, haven’t we?
- Election. – That’s right! Launch
a "cosmonaut" and connect me with Misha.
[Moscow, 2001]
- What cosmonaut? - Listen,
it’s time for you to get used to me.
If it’s Israeli then it’s military.
If it’s "Soviet" then it’s champagne.
And if they launch someone then
it’s a cosmonaut. Did you get through?
Yes, here.
Residence of the general producer of
"Kind of radio" radio station.
[Phone ringing]
- Hello.
- Misha, it’s Emanuel Gedeonovich.
What Emanuel Gedeonovich?
Oh, hello, Emanuel Gedeonovich!
I… I recognized you right away.
- Are you sleeping, Misha? – No! No way!
Never. Well, just for a minute.
Sorry to bother you at this unreasonable
hour but it’s a very important thing.
- Do you have a pen or a pencil at hand?
- At what hand?
Oh, oh, just a moment.
Just a second, Emanuel Gedeonovich.
Yes, how can I help you,
Emanuel Gedeonovich?
Misha you probably know that
our holding company…
…has certain interests
in the Middle Volga region.
I probably do.
So you and I are going to
promptly get ourselves involved
in the process
…that is happening there.
- Right now? – No, not right now.
We have some time until morning.
- Write something down.
- Just a second.
- Are you writing, Misha?
- Yes, yes, just a moment, I’m ready.
Write down.
Oh, God, forgive me.
Moscow. Northern Riverside station.
- Where to?
- To the music salon. Music salon.
Sergei Abramov motor ship.
Anya, Anya!
Here are the keys from the cabins.
You have the list of musicians?
Of course not!
We don’t even know who’s coming.
- Make a list of ours then.
Who’s on it already? – You are.
Ok, then put me in
and check my name on the list.
Put yourself in too
and check your name as well.
Then bring the lists to my cabin.
What’s that screaming
all about over there? What happened?
Let me see what it's all about.
- Did you bring the console in?
- Yeah.
Then why isn’t it in here?
- Then they haven't brought it in yet.
- Where is it? – On the bus.
- And where’s the bus?
- It left.
- So where’s the console then?
- I’m asking you.
Slava, Slava, what about the musicians?
Thanks a lot, Sasha.
Never in my life I have been flipped off
by 56 people in two hours. Never.
- Did you make a deal with at least
some of them? - Sure enough I didn’t.
Wait a second, what are we going to do
about our