and I go back home.
Listen to me, zero.
- No, you listen, old man!
I'm here because you need help.
So it is the top
I'm outta here.
Well, you take the top
and I push.
Leave him out of your small
girl hands slip and crush me.
Bring me ideas.
That thing weighs a ton.
But it runs like a clock.
If they do not anymore.
What will you do with it?
- Selling, I think.
How many?
- Sixty dollars.
I'm sick of that in the basement
to leave.
Why?
Are you looking for a freezer?
Those of us play.
- Okay, twenty-five dollars and he is yours.
Twenty-five?
But you just said sixties.
I know, but it saves me money for a
ad in the newspaper to continue.
Come on, let him
drag to your house.
A bit ironic, huh?
- What?
Toad a car wash
he tried to steal from you.
Yes, if he misses a spot
then it all again.
Nice as it provides you.
He is not really an example in his life.
I am not an example.
- But you're a good man, Wally.
I wanted you as our father had been.
- Give me no more Wally.
No, I'm serious. He was really
hard against us, very traditional
and really old-fashioned.
- I'm old-fashioned.
Yes, but you're an American.
What do you mean?
You like him or not?
- Take me in your leg?
He tried to steal my car.
And time you bring with him,
teach him to fix things.
And saved him from the fucking cousin of us ...
- Hey, watch your language, lady!
And you're a good man.
- I am not a good man.
Give me another beer, dragon lady.
It is empty.
You know, Hmong believes
gardening is that women's work.
Yes, that's why I see you always in the garden.
Furthermore, we are not in Hu-Mong.
- Funny.
You should stop.
That is bad for you
- Yes? Like a gang go slow duikelaar.
Did you not hear what I just said?
I saw you expectorate blood.
You should stop.
What does the fact that emblem?
First cavalry.
I have since'51.
What do you do with your life, son.
I thought perhaps sell.
- Sale?
My oldest son is in the sale.
- Is he right?
Oh, yes.
License to steal.
I have fifty years worked in the Ford plant,
and he sells Japanese cars.
Have you built cars?
- Yes.
I placed the steering column in the Gran Torino
in 1972, when he rolled the tape.
You are old.
So cool.
Yes, so you want in the sale. You think about it
perhaps to go to school?
A little, but school costs money.
- Maybe you should take a job.
You can not sit
manure and straw under my garden.
Maybe you can pay me.
- Yes, very funny.
What kind of job can I get?
- Yes, you're right. No one will you never take.
Yes, I know.
- I kidding, zero.
I mean, you get a job.
You get a job anywhere.
Like what?
What about the building?
- Me?
Yes.
- The construction?
Yes.
- Do you have Alzheimer's or something.
No. You get a job in construction.
I know people in the box.
Of course, I tell you what training
and a bit 'opmannen.
Me "opmannen?
- Yes.
And I think you Miss Yum Yum
must interrogate.
It would do you good.
It would
Now how do you guys talk.
Listen to the way
Martin and I go back and communicate.
Are you okay? Are you ready?
- Sure.
Well, let's go inside.
Perfect.
Pool and gook.
How are you, Martin,
you mad Italian dick.
Walt, cheap bastard,
I know that you came.
I had just such a nice day.
- What have you done?
Got a blind man
afgeholpen of money?
Have you given him the wrong change?
- Who is the Jap?
Oh, he's the wimp of the neighbors.
I try a little man of him to do.
See your kid?
So guys talk with each other.
Do they really?
- Did you shit in your ears?
Come on and come in
and talk to him as a man.
If a real man.
Come on.
Get to come out.
Come back now.
I am sorry for that.
It is good.
How is it, you old Italian dick?
Get out of my shop before
I bang your head off, damn gook!
Jesus Christ.
Oh, shit.
Take it easy. What the hell are you doing?
Are you crazy?
That is what you said.
That is what you said, say it!
Something you do not, you will not
and insulting the man in his