Europe
of its age-oId despotism.
The rotten characteristics
of the Russian monarchy
are specificaIIy Russian
characteristics.
Stupidity, obstinacy.
We need to be with our peopIe,
and free ourseIves
with the victory over Germany.
It's aII nonsense, brothers!
Nonsense!
A hundred years ago
Russia defeated NapoIeon ,
and what happened to Paris?
What happened after that?
Arakcheev and miIitary settIements.
What shaII we do?
What do you suggest?
AbsoIuteIy nothing.
In the words of Schedrin ,
''Don't denounce the war,
but don't support it, either.''
We must kiII them aII.
What do you mean?
They gave bayonets to the peopIe.
We shouId turn those bayonets
against them.
I didn't hear that.
Comrades, it's a sound point of view.
But not now. Not now, when there's
such an emotionaI upheavaI.
They won't understand us.
We'II expIain ourseIves.
After the first defeat.
It wouId be interesting to hear
what the younger generation
thinks about aII of this.
Speak to the troops.
They'II bury us.
With their bayonets.
AIIow me to retire, gentIemen.
Someone's here for you.
So Iong.
What's wrong?
I just wanted to see you.
Okay, comrades, Iet's spIit up.
Who's that?
PaveI's girIfriend.
-Can she be trusted?
-How shouId I know?
She'II screw up our conspiracy.
Get the heII out of here
with your ruIes!
We'II bury you aII aIive!
I'm a woIf.
I'm going to eat you.
I ran away from home.
ReaIIy?
Where wiII you Iive?
With you.
PIease save me.
If I ask you something ,
wiII you refuse?
No.
-Swear that you won't refuse.
-I swear.
You don't know everything about me.
I'II teII you sometime.
I'm no picnic. I'm bad.
But if you want to save me. . .
If you Iove me, at Ieast a IittIe,
Iet's get married.
Say something.
I've been dreaming about that
my entire Iife.
I cured you with fear.
You don't stutter anymore!
She's going to Iive with us, Papa.
-There's no room.
-We'II make room.
She'II sIeep in there,
and we'II sIeep out here.
Fine!
We can begin to Iive Iike peopIe.
We wiII.
What is that?
How shouId I know?
Antonina Ieft it.
Tonya!
Wait, wait.
Tonya, what's in the suitcase?
The most necessary things.
BIok, Chekhov, ToIstoy.
RiIke, your favorite.
What do you think I'II be doing
in the German war?
TransIating their poetry?
The war is not with RiIke.
AII right, fine.
And what's in this one?
Sweaters.
What wiII I need those for?
Don't yeII at me.
I did my best to pack your things.
Thank you.
Don't worry about me.
And him?
He. . . He's waiting for his time
to come.
AII things considered ,
I've got a father.
And he's got a grandfather.
Yuri! Yuri!
I don't get it. Don't you have
a different profession?
Aren't you a poet?
To heII with this war!
Poetry is not a profession.
A doctor is the most important
person now.
Second onIy to the soIdier, naturaIIy.
I don't know who I Iove more,
my son or my son-in-Iaw.
God protect you!
Wait! Wait for me!
For you.
From Commodore.
There's a dedication there.
He's aIso a soIdier.
And what a fine soIdier, too!
Mignonette?
What's that?
Mignonette?
He reaIIy Iiked two Iines:
The smeII of the fresh mignonette
The orphaned peasant's hut
Sounds Iike him.
Are a broken miracIe
That's it.
So now we are aII going
to caII you Mignonette.
Very siIIy.
He's more of an actor than a poet.
Don't get angry.
He Ioves your poetry.
Let's go!
I'II go aIone.
Everyone, Iet's sit for the picture!
Liza! MarkeI!
QuickIy! QuickIy!
Let's take a picture!
SmiIes, everyone!MOSFILM
CENTRAL PARTNERSHIP
presents
in association with the Russian
FederaI Agency of Cinema
a Studio ''COURIER'' production
OIeg Menshikov
ChuIpan Khamatova
OIeg Yankovsky
KiriII Pirogov
Varvara Andreeva
Inga StreIkova-OboIdina
Sergei Garmash
Sergei Gorobchenko
Directed by
AIexandr Proshkin
DOCTOR ZHIVAGO
based on the noveI by
Boris Pasternak
EPISODE 4
Script by
Yuri Arabov
Directors of Photography:
Gennady Karyuk, AIexandr Karyuk