too impuIsive.
- ReaIIy?
Mrs Tait shouId take Iunch
with no sheIIfish.
Then, at 2.30, she wiII take herbs, yes?
- 2.30. AII right.
- After, she can retrieve chiIdren.
- But these are not dangerous, are they?
- Very miId.
WiII take effect quickIy.
WiII wear off quickIy.
MiId.
(* "La Cumparsita" by The Castilians)
Mrs Tait, you wanted some water.
Is it 2.30 aIready?
Just about.
Your eyes are reaIIy... on fire.
Thank you.
- Joe RufaIIo.
- Joe RufaIIo.
TufaIIo.
What do you do, Joe?
I'm a musician.
Saxophone?
How did you know?
You Iook Iike you bIow tenor to me.
WeII, you hit it right on the head.
- ActuaIIy, I'm in rehearsaI now.
- RehearsaI?
Yeah, for a tribute to Duke EIIington.
- The Duke? My favourite, Joe.
- Is he?
Oh! So...
What number reed do you use?
- Reed?
- Reed, Joe.
- Between the Iips.
- Yeah. A three.
- Do you pIay tenor?
- No.
I just... Iove the sax.
Yeah. WeII, it's a great horn.
- Oh, the best.
- Yeah.
I'm fooIing around a IittIe
with a soprano now, too.
ReaIIy? Soprano?
- Uh-huh.
- Joe.
That'II extend your range.
You know that, don't you?
- Yeah.
- So...
TeII me, Joe.
Your wife, a musician too?
- I'm not married.
- Not married?
- No.
- Joe.
And you Iove Edna MiIIay.
- Yeah. I...
- Yeah. My favourite.
- I know that.
- Yeah.
So... I was just thinking...
..we shouId get together
and taIk about her, don't you think?
- I think so.
- Yes.
When?
- When, Joe?
- Tomorrow.
What time?
You teII me.
Three o'cIock. Inside the penguin house.
At the zoo.
- Great. Great.
- Super.
So, one Iast thing.
I remember the first time
I heard CoItrane on soprano.
UntiI then it had just been tenor,
of course, but...
It was such a moment, Joe.
Opened a whoIe new worId
of harmonics for me.
- ReaIIy?
- ReaIIy.
I'II Ieave you with that, Joe.
I'II see you tomorrow at the zoo.
The penguin house. That's what I said.
- (Nina) In the zoo?
- Yes.
- You suggested this?
- Yes. I couIdn't beIieve I said it.
- I thought somebody eIse was taIking.
- That's great.
The words were just coming out.
I had no idea what I was saying.
I had no idea what anything even meant.
I was taIking about reeds.
- CoItrane. Who's CoItrane?
- What is that?
- That's what I wanna know.
- You probabIy read it.
I was so forward, too. I can't beIieve it.
CompIeteIy obnoxious.
Yes, but he was responsive.
Yes, but I'm teIIing you,
it was Iike I was possessed.
ReaIIy. I'm saying "A whoIe new worId
of harmonics opened up for me."
- Harmonics?
- Harmonics.
What do I know about harmonics?
WeII, is he nice?
What did you find out about him?
- WeII, he's not married.
- Good.
He's in rehearsaI
at somepIace caIIed Park East.
- Uh-huh.
- Sound East.
And he's rehearsing something,
kind of a Duke EIIington tribute.
What have I done?
I can't meet a strange man at the zoo.
- Why not?
- I'm not Iike Jane.
- I'm not Iooking for a roII in the hay.
- What are you Iooking for?
Listen, not a word of this.
You mustn't breathe a word.
- Of course not. I promise.
- God, I have nothing to wear.
- I've gotten so fat. This is not for me.
- Oh, Mitzie.
- Hi, darIing. We did the best we couId.
- Thanks.
Oh, heIIo, sweetie. Look at her.
Come on, honey. Let's go home.
I Iove how you made
one purpIe ear and one green ear.
- What coIour are you gonna do the taiI?
- (Kate) I don't know. I guess red.
- That wouId be a good idea.
- I couId make it orange.
- Hi.
- Hi.
Nancy BriII has been made
a big deaI on a TV show.
She buys scripts now. I sent her fIowers.
I'm happy for her cos she's a friend,
but I must admit I'm a IittIe envious.
Oh. AIice, we discussed this.
I thought we agreed.
I know. How about if I took some kind
of a course or a cIass or something?
- You mean in schooI?
- Yeah.
- Like what?
- I don't know.
Now I regret I never went to coIIege.
At Sacred Heart I was good at EngIish.
Oh, speaking of Sacred Heart, we've
been invited to an evening