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Жизнь и работа Ясудзиро Одзу

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hard
or as painful for me as this one.
I so dearly, dearly wished
that he were still alive.
He had always been
such a strong pillar of support for me.
Ozu once said,
''The end of a film is its beginning''.
He died on his birthday,
almost as if to say
in real life, too,
the end is the beginning.
Yasujiro Ozu lived a full life
and then returned
to the nothingness of mu.
THE ENDA SHOCHIKU FILM
An artist creates his own style,
and this style reflects
the man himself and his character.
Yasujiro Ozu had his own themes,
his own style,
his own way of seeing.
From the perspective
oflow camera angles,
he observed the world
of parents and children.
Just as one who avoids raging torrents,
instead preferring calmer waters,
Ozu did not engage
in turbulent dramas
but preferred to tell subtle stories.:
a daughter getting married
and leaving her parents behind,
aging parents left alone,
awaiting death.
Ozu never tired
of observing these things.
He never tired of searching
for an order in his world,
just as a monk never tires
of striving for enlightenment.
What kind of person was Ozu, then,
to choose such a rigorous path?
Why was he so dedicated
to portraying marriage and family?
Inscribed on his gravestone
at the Engakuji Temple in Kamakura
is the character for mu,
or ''nothingness. ''
What does this ''nothingness''
finally mean?
I LIVED, BUT...
A BIOGRAPHY OF YASUJIRO OZU
Produced by
SHIZUO YAMANOUCHI
Written by
KAZUO INOUE
Cinematography by
YUHARU ATSUTA and KITARO KANEMATSU
Edited by
KEIICHI URAOKA
Music by
KOJUN SAITO
Narrated by
JO TATSUYA
Directed by
KAZUO I NOUE
So your first role was in I Flunked, But... ?
CHISHU RYU -ACTOR
I got a script for the movie,
the first I ever received.
I was happy about it.
You played the one who graduated?
Yes, the heroes
were the ones who flunked.
That scene where you asked
Kinuyo Tanaka for bread.
Yes, Miss Tanaka.
Miss Tanaka and Mr. Saito?
Yes, they played
the principal roles.
Then, in I Was Born, But...
you played a company clerk
who helps his boss move.
I was also the one
who ran the film projector.
You played that role, too?
Which role most impressed you?
- Our last silent film in 1 936-
- College Is a Nice Place.
That was a big role for me.
I had to do so many retakes.
Then The Only Son?
Yes, that was Ozu's first talkie.
You played a teacher.
Yes, that role helped my career.
Then you got the lead in
There Was a Father.
Right. That film was made in 1 942?
That's right.
It was a big role.
I was on screen
from beginning to end.
I was surprised that Ozu
offered me such a large role.
He said, ''Come here, Ryu. Let's talk.
You normally go like this
when you're happy,
and like this when you're sad, right?
Those expressions won't work in
There Was a Father.
So just act as if your face
were a Noh mask, okay?''
That's what he told me to do...
and thinking of a Noh mask was good.
Yasujiro Ozu's first film was
The Sword of Penitence in 1 92 7.
By the time he made
An Autumn Afternoon in 1 962,
he had made 54 celebrated films
in the 35 intervening years.
What was he searching for
during the 60 years ofhis life?
Could it be that all of
his fame and masterpieces
somehow came to ''nothingness''
in the end?
The answer to that question can be found
only by examining his life and works.
Filmed in 1 932 I Was Born, But...,
opens with the subtitle.:
''A Picture Book for Adults.''
When children look at
Жизнь и работа Ясудзиро Одзу Жизнь и работа Ясудзиро Одзу

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