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Семнадцать мгновений весны

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Remember - we are unfamiliar to each other.
Sure. Of course.
If anything extraordinary would happen
to you or in any emergency
you will call this telephone 388-16-16.
Try to memorize it.
388-16-16. I memorized it.
All right then. I'll see you after
tomorrow here same time again.
-Would you like to purchase anything?
-No, I simply enjoy watching the birds.
The most interesting birds are inside my store.
Everyone puts on the windows
display the best things for sale,
and I feel they are not just items for sale.
They are live. They are birds.
Sometimes even writers come here
to listen to my singing birds.
One of them once said: "before I'd descend
into the hell of a new book,
"I, like Orpheus, must listen to the most
beautiful music. The music of singing birds.
otherwise I will not be able to sing my song
to the world, to attract my Eurydice to me".
I want to thank you for everything.
- What do you thank me for?
- I am just grateful to you for everything.
You're welcome. Come back again.
All the best to you.
Shellenberg told me that Shtirlitz is away
for a while doing a special secret task.
You must start working harder with the
Russian radio operator while he's away.
Rolf will work out the contrast
of methods of interrogation.
After an evil interrogator prisoners extra
kin and open to a nice interrogator.
We'll try a nice one, then an evil one, then
a nice one again. Shtirlitz is a nice one.
Yes, I am speaking to you.
I want to hear the details of the operation.
Muller decided not to mention to
Kaltenbruner that the fingerprints found
on the telephone in the special
governmental-phone room
and the ones found on the suitcase of the
Russian radio operator, were totally identical.
He also decided not to tell to
Kaltenbrunner right now that
he secretly was collecting fingerprints
of all the colleagues and officers.
He will loose temper and have
his hysterics again"- thought Muller.
And he will blame him, Muller, for any failure,
that missed an enemy in his own house.
Mueller was pleased, that about the conversation
between Mr. Bormann and some officer of RSHA
was known to Himmler, but was
not known to Kaltenbrunner at all.
Such political fork created a possibility
to maneuver between the two forces.
Continue your secret operation.
Do you want me to control Shtirlitz's work
with that Russian radio operator woman?
Why would you need to control his work?
He is sufficiently experiment and a clever
person in the questions of spy radio tasks.
Will Rolf have his independent role in the
work with the Russian female radio-pianist?
No, let Rolf work directly with Shtirlitz.
They are after the same goal, aren't they?
And the methods of achieving
the goal can be different.
- Do we have new transmissions from the Russians?
- No, nothing so far.
- Any successes from our encryption cracker?
- They are working hard, but nothing yet.
It is a very strong cipher encryption.
Interrogate the Russian radio-pianist harder.
I don't believe she doesn't know the code.
Shtirlitz works with her using his method.
While Shtirlitz is away,
let Rolf interrogate her harder.
March 15, 1945, 2:14 = 02:14 AM
Don't turn on the light.
End of part 7.
Translated by Fooper01. Enjoy.Gorky Film Studio
SEVENTEEN MOMENTS OF SPRING
Part 8
Don't turn on the light!
How did you get into my house?
And why may I not turn on the light?
-And who are you afraid of?
-Not of you. That's for sure.
Walk slow and carefully please.
- Be careful, an armchair is ahead.
- I've already learned what's in your house.
- It is comfortable and quiet in your house.
- And especially during air bombing raids.
My back is killing me. I caught cold
somehow and am dead tired.
Should have some aspirin.
In such a darkness instead of aspirin
I could drink a laxative by mistake.
Let's pull down the blinds
and light up the fireplace.
I tried, but couldn't pull your blinds down.
Here, at your house, they have a
Семнадцать мгновений весны Семнадцать мгновений весны

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