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doctor is so insistent!
-But I'm not sick!
-We wish you much success.
Sir, why are they badly dressed?
My friends, how could I think,,,
that you would get along so badly?
I'll tell you one day,
I'm in a strange situation,
Why quarrel with everyone?
If you do, we will never discover
why we are here,
Such clothing kills
a man's creative essence!
Why do you find it necessary
to embrace European culture?
For what reason?
Why borrow also Europe's mistakes?
My God! What is all this?
Mother!
Canova!
What an elevated approach to art!
What feel for the material!
How wonderful!
He is a true heir to the masters of antiquity!
Canova almost married my mother.
Was your mother a sculptress?
Yes. In Rome.
In Rome? Your mother, a sculptress,,,,
In this Canova collection,
there are even sculptures...
that Tsar AIexander bought from the wife....
Of Napoleon?
Yes.
It was 1815, I was at the Congress of Vienna.
What were you doing there?
-I was a diplomat.
-A diplomat?
This collection was the object
of a harsh dispute.
Look where we are now!
Is this a dream?
Maybe, maybe.
I don't know about you, but I'm wide awake!
It's amazing how well I speak Russian!
Yes, quite well,
Who was that small man?
Wasn't that Pushkin?
-Good day.
-Good day.
Is that your great poet? Your beloved one?
I read him in French. Nothing special.
Sir,
My God, how touchy you are!
Pardon me!
I'm sorry if I've offended
your nationalist sympathy.
What is that, nationalist sympathy?
What's that there?
-Please,,,,
-Who is that?
Please don't rush,
AII alone, without an escort?
It would be wiser not to talk to that lady,
Don't bother her,
Let's move along,
Excuse me, madam,
have you Iost your guide?
Thank you for your concern.
I know everything here.
Of course. Do you work here?
Not at all. I'm here to admire the works
of the old masters.
Would you accompany me
into the next salon?
To see the FIemish masters?
With pleasure. Your slender fingers see all.
-140 paces, straight ahead.
-140, is that so?
How many are Ieft?
Watch your step.
-One cannot be so intrusive, I told you.
-It's not the right time for this.
It's all your fault.
-You are compromising me!
-Oh, don't.
How dare you! Quiet!
-We're here.
-Yes.
Can we go closer to that painting?
Would you Iike me to tell you about it?
The Virgin with Partridges by van Dyck.
Catherine II acquired it.
Tell me about this painting.
PIease, tell me.
See the calm and serenity
around the Madonna and Joseph.
-Joseph, yes.
-God protects them.
There is no doubt
about his unseen presence.
The apple tree represents Iife.
Sunflowers stand for piety.
On the upper right,
partridges symbolise frivolity.
-They're flying away.
-Partridges....
Angels dance and play.
So many other symbols
that we can only guess about.
Sir, leave her, She's an angel,
Why have you gone quiet?
The partridges, the children, the Madonna....
Thank you, madam. Thank you.
I highly value your opinion
on the works of van Dyck.
You'II definitely be interested
in another painting.
Be very careful!
A Rubens.
Sir, do not disturb me!
The Feast in the House
of Simon the Pharisee.
The Pharisee....
I don't see it.
Where is it?
Thirty-six, thirty-five....
No, that painting isn't here.
Not part of the Tsar's collection.
Yes, it's here.
That particular Rubens is not here!
Yes, it was from Lord Walpole's collection...
Iike The Virgin with Partridges.
But that Rubens isn't on exhibit.
But it's here.
-Where are you?
-What a wonderful scent!
The scent of oils....
Sir, let's leave here now,
No, Iet's stay a while.
What wonderful paintings!
What are those men counting?
You were right. I found it.
Let's take a closer Iook.
There it is.
We're almost there.
Face the painting directly.
There it is.
Yes, there it is.
-Something to say about Rubens?
-Van Dyck.
Rubens considered van Dyck
to be his best pupil.
You know, there was a time
when all these paintings...
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