When saying good-bye to his friends, he asked one of them an everyday questions and was very interested in the answer. Then began the 2 minutes he allotted for looking into himself. He was thinking, how could it be, that here he was, a living man, and in 3 minutes he would be nothing. Or if somebody or something, then who and where? He wanted to decide this in these 2 minutes. A little way off stood a church. lts gilded spire and dome glittered in the sun. A gilded spire. He remembered staring stubbornly at this spire, and the rays of light sparking from it. He couldn't look away He imagined these rays were his new nature, and in a few minutes he would become one of them. The uncertainty and repugnance to what would happen almost immediately, were terrible. But worst of all at that point was the idea, the persistent thought what if l don't die now? What is l return to life again? What infinity! And all mine! l'd turn every minute into a century, l'd never lose an instant. l would count every minute of it, not to waste an instant. And this thought became such a terrible burden upon him, hat he wished they shoot him quickly and be done with it. Are you through? What? Yes, l am. And why did you tell us this? Oh, l happened to recall it, it fitted in our conversation. An abrupt ending, prince. You probably wish to deduce that time cannot be reckoned in terms of money value. Your friend, who told you this terrible story, was given those wonderful riches of time. And what did he do with them afterwards? - Did he keep careful count? - No, he didn't. He wasted many, many minutes. Then, one cannot live and count all minutes. That is true. lt's true, one can't. l have thought so myself. Yet, why shouldn't one do it? You think you could live more wisely than others? Yes, l have had that idea. And you have it still? Yes, l have it still. Very modest of you. Why are you so angry? The prince told us a wonderful tale. Why do you want to discourage him? He began all right, he was laughing. And now he is sad. End of Part One with the support of the Cinematography Service the Russian Ministry of Culture produced by 2-B-2 Studio ENTERTAlNMENT Fyodor Mikhailovitch Dostoevsky lDlOT Evgeni MlRONOV As prince Muishkin Starring Vladimir MASHKOV Lidiya VELEZHEVA Olga Budina lnna CHURlKOVA Alexei PETRENKO Vladimir lLYlN Michael BOYARSKY Alexander LAZAREV Larisa MALEVANNAYA Maria KlSELYOVA Written and directed by Vladimir BORTKO Photography by Dmitri MASS Design by Vladimir SVETOZAROV Marina NlKOLAYEVA Original music by lgor KORNELYUK Producer Valery TODORORVSKl Episode 10 Epanchins were all at their estate of Colmina now, about twenty miles or so from St. Petersburg. And in point of fact you must allow that they could hardly have stayed here, in the face of your daily visits to their house, visits which you insisted upon making in spite of their refusal to see you. Yes, quite so; you are quite right. l wished to see Aglaya lvanovna. Oh, my dear fellow, how could you permit all that to come about as it has? You really should have understood how seriously she cared for you. She could not bear to share you with another, and you could bring yourself to throw away and shatter such a treasure! Yes, yes, you are quite right. l was wrong. But as if that is enough! You are to blame, and yet you persevere in evil-doing. Where was your christian heart, all that time? You saw her face. Was she suffering less than the other woman? How could you see her suffering and allow it to continue? To this moment l don't know how it all happened. l ran after Aglaya lvanovna, but Nastasia Philipovna fell down in a faint, and since that day they won't let me see Aglaya. lt's all the same, you ought to have run after Aglaya though the other was fainting. Yes, yes, l ought, but l couldn't! She would have died, ------------------------------ Читайте также: - текст Гран Торино на английском - текст Хорнблауэр: Экзамен на лейтенанта на английском - текст Муми-тролль и комета: Путь домой на английском - текст Багдадский вор на английском - текст Зеркало на английском |