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some madmen like you.
And let me never hear of it
from you again.
with the support of
the Cinematography Service
the Russian Ministry
of Culture
produced by 2-B-2 Studio
ENTERTAlNMENT
Fyodor Mikhailovitch
Dostoevsky
lDlOT
Evgeni MlRONOV
As prince Muishkin
Starring
Vladimir MASHKOV
Lidiya VELEZHEVA
Olga Budina
lnna CHURlKOVA
Alexei PETRENKO
Vladimir lLYlN
Michael BOYARSKY
Alexander LAZAREV
Larisa MALEVANNAYA
Maria KlSELYOVA
Written and directed by
Vladimir BORTKO
Photography by
Dmitri MASS
Design by
Vladimir SVETOZAROV
Marina NlKOLAYEVA
Original music by
lgor KORNELYUK
Producer
Valery TODORORVSKl
Episode 6
-Colia, l don't know.
- l'll see you off to the station.
There is something horrible at general wife's house.
Surely, carriage is at the first place
but it should be something else here.
l have not watched for sure.
The most interesting fact was
that Aglaya lvanovna
had been quarrelling with her people about Gania
Can you imagine?
He is the man that is lost
in many senses.
But in many senses he has
something worth to look for.
l will never excuse myself
for not understanding him.
You know. You
don't have to be sorry for your brother, Colia.
lf so then
Gavrila Ardalionovitch might be dangerous
for Lizabetha Prokofievna
And if so, certain hopes of his
must have been encouraged
What? What hopes?
you surely don't mean Aglaya?
lt can not be so.
You're a dreadful sceptic, prince
l have observed of late that you
have grown sceptical about everything
You don't seem to believe in people
as you did, and are always attributing motives and so on
am l using the word 'sceptic' in its proper sense
l believe so;
but l'm not sure
Well, l'll change it,
right or wrong
l'll say that you are not sceptical, but JEALOUS
There! you are deadly jealous of Gania,
over a certain proud damsel!
l'm glad to meet you.
ln the first place, my dear prince,
don't be angry with me.
l would have come to see you yesterday,
but l didn't know how
Lizabetha Prokofievna would take it.
My dear fellow, my house is simply a hell just now
l can't make head or tail of anything
lt is plain to me, that YOU are not in it at all
but perhaps you had better not come to our house for a little while
l ask you in the friendliest manner, mind;
just till the wind changes again.
As for Evgenie Pavlovitch,
the whole thing is a calumny,
a dirty calumny.
lt is simply a plot.
An intrigue.
Desire to upset our plans.
-Allow me.
-And to stir up a quarrel.
You see,
prince, l'll tell you privately
Evgenie Pavlovitch and ourselves
have not said a word yet
about the marriage
Don't you see?
Excuse me, General.
But the word may be said soon
May be very soon.
And all this is most injurious
Why? l'm sure l can't tell you.
She's an extraordinary woman,
an eccentric woman.
l am so frightened of that woman that l can't sleep.
What a carriage that was.
White horses. lt is splendid
lt's what is called
''shique'' in french.
l declare, l was base enough
to suspect Evgenie at first;
but it seems certain that that cannot be the case.
And if so,
why is she interfering here?
That's the riddle.
To leave here.
To leave immediately
To leave back where I come from.
To the station.
What station, master?
Warsaw?
Nikolaevsky?
So what the station?
lt's faint heartedness.
lt's impossible to run.
lt's needed to exert every effort
here.
Appeared finally!
Are you here?
Allow me to ask you
Did you, or did you not, send a letter to Aglaya?
Yes, l did.
Show me the letter.
l have not got the letter,
lf anyone has it, if it still exists, Aglaya lvanovna must have it.
No finessing, please. What did you write about?
l don't see the slightest reason why l should not have written.
l know my feeling was very sincere.
l had moments
at that time full of life
and hope.
What sort of hope?
lt is difficult to explain.
Hopes-well, in a word,
hopes for the future, and a feeling of joy
that l
Идиот Идиот

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