disturbing.
- In what way?
You go through definite periods
in your work.
About two years ago,
I began to see...
...images of murder, violence.
And it started to become
a part of my work.
By "see," do you mean...
..."see" as you see
in your statement?
No, I would just be in
the middle of doing something...
...and suddenly,
images would come to me...
...well, like those.
You think I was in
those actual situations...
..mitted the murders and
then re-created them in photographs?
I don't buy it.
Keep it moving, please.
- Get rid of him.
- I already told you once.
Let's go.
- How you doing, lieutenant?
- How you doing, Murph?
Just send it up. Elaine Cassell
apartment. That's right. Third floor.
I'd like to know if you recognize
any of these clothes.
I think...
...they're my husband's.
Husband?
Ex-husband.
We've been divorced over a year.
The last I heard, he was
living in San Francisco.
Well, he's back.
Obviously.
Was this going on
when you were married?
- What's his name?
- Michael.
Michael Reisler.
Is this him?
Is this a picture of your ex-husband?
Those are very nice clothes.
What does he do?
Did you buy those clothes?
Michael couldn't kill anyone.
Do you have any idea where he is?
No idea.
Are you still in love with him?
- May I go home now?
- Of course.
Thank you.
Good evening.
Good night.
Good night.
In case you need me, this is my number.
Call me anytime, day or night.
John Neville.
Thank you.
Lt. Neville...
Should I hire a bodyguard?
You already have one.
Quiet! Quiet now!
Michael!
What are you doing here?
How did you get in?
I still have a set of keys.
Don't look at me like that.
I did not kill Elaine.
Why would I? She was the best
meal ticket I ever had.
Second best. I was the best.
I was in San Francisco,
working on my novel...
...and I ran into her.
She convinced me to come back,
said she'd be good for me...
...make it easier for me to write.
I've missed you.
Oh, come on.
You know I only came back
to be near you.
I would have called you sooner
or later. I still love you, Laura!
Michael, stop it!
Oh, poor Elaine.
What good, good friends.
I was your husband.
I was never your friend.
But Elaine was.
Why Elaine?
Do you have to destroy
everything you touch?
This whole thing
is pointing towards me...
...and I did not do it!
Everything I have is in Elaine's
apartment. I have no money, no clothes.
The police are after me,
and now you provoke me!
You deliberately provoke me!
You may have these other
people fooled...
...but I know what a killer you can
be at 3:00 in the morning.
- A killer at 3:00...
- Where were you? Where?
When I needed some comfort,
where were you?
In your darkroom.
Where else could I find peace?
- You were drunk!
- You made it impossible for me to write!
That's not true!
You've been drunk
for the last six years!
But you!
Instant star of the world of chic!
Will $50 be enough?
I don't give a damn if everybody else
in Manhattan talks to the reporters.
I don't want you talking.
That guy's bullshit just won't quit.
I'd like to see him hit the streets.
- I don't think he could hack it.
- I know.
Hey, John, how come in that meeting...
...you didn't mention anything
about that Mars chick...
...seeing those things
and having dreams?
- You don't believe her, Sal?
- No.
You're playing with the big boys now!
Big boys!
Jesus!
- Hi, darling.
- Morning.
Sleep well?
What'd you find out?
There's a very interesting case
of a woman...
...in France who had
something similar.
What happened?
She died in an insane asylum.
- Good morning, Miss Mars.
- Good morning, Tommy.
Maybe you shouldn't talk
to anybody about this.
It might just go away.
Big boys!
Look at that.
Is that fabulous?
That's the fourth I've seen today.
They're all over the city.
They'll be so famous we won't
be able to afford them anymore.
You'll find a way.
Miss Mars, I don't know if the cops
told you any