YOU. SIR? YOU HEARD ME. WE STILL GOT SOME PRIVATE PROPERTY TEN... NINE... EIGHT... SEVEN... [ Engine Starts ] I'M LOOKING FOR A PASSENGER NAMED NICHOLAS KEGAN. MR. KEGAN? YES? TELEPHONE CALL FOR YOU. PLEASE HURRY. YOU HAVE A TELEPHONE CALL FOR ME HERE? I HAVE A TELEPHONE CALL UP HERE. [ Pa On Phone ] WHERE THE HELL IS HE? PA? YOU DIDN'T CALL ME PA, THERE ARE HUNDREDS OF PEOPLE ON BOARD. MAYBE, BUT I'M STILL LOSING MONEY ON THIS AIRLINE. HE SAYS IT'S HELLER IN THE PHILADELPHIA POLICE. SAYS I SHOULD TALK TO A COP NAMED RAY DOTY. HE ALSO THE OLD COOT. RAY DOTY. I'LL ARRANGE IT. [ Man ] COME ON. COME ON. GIRL? WHAT GIRL? JUST A GIRL, PA. FORGET THE GIRL. YOU GO SEE DOTY. KEIFITZ? DIED IN BRUNEI. KEIFITZ? WHAT ABOUT THE CONFESSION? ORDERLY'S DEAD TOO. FELL OFF THE TOILET AND BROKE HIS NECK. [ Man On Speaker ] 4-14, 4-14, WHERE ARE YOU? [ Retching ] IT'S SAFE TO TALK IN HERE. THESE LIGHTS STAY ON ALL THE TIME? DAY AND NIGHT. ALL YEAR ROUND. THEY NEVER KNOW WHAT TIME IT IS. AND THEY NEVER HATCH. NEVER DO. GIVE 'EM HORMONES, OF COURSE. AND AMPHETAMINES. THEY'RE ALL ON SPEED. [ Chuckles ] JITTERY AS HELL. MY FATHER'S INFORMATION AGENCY HAS PAID YOU. I TOOK THE CASH. JUST LIKE IN THE OLD DAYS. ONCE A COP, ALWAYS A COP. WISH I WAS BACK ON THE FORCE SOMETIMES. SO HOW DID, UH, CASPER JR. GET TO YOU? OH, HE DIDN'T GET TO US. HE GOT TO JOE DIAMOND. ¶ [ Woman Singing ] YOU DO THAT VERY WELL. I THINK-- [ Doty, Narrating ] NOW YOU GOTTA UNDERSTAND... THAT JOE DIAMOND WAS A NOTORIOUS COP LOVER. I MEAN, A REAL COP LOVER. HE ALWAYS KEPT THIS NIGHTCLUB FULL OF ROOKIES. DRINKING BEER, GETTING HIGH. ANYWAY, THE MEETING WAS SET UP... BETWEEN DIAMOND AND AN OLD PAL OF HIS. IT TOOK PLACE IN TUCSON. [ Train Chugging ] [ Train Whistle Blowing ] HOW YOU BEEN, GAMEBOY? OH, OLDER AND FATTER. UGLIER. LIKE YOU. [ Laughs ] I DON'T KNOW. - DID YOU EAT? - YEAH. WHAT'D YOU EAT? PASTRAMI ON WHOLE WHEAT WITH CELERY TONIC. ANY GOOD? LOUSY. TUCSON. DON'T EVER ORDER THE WILD WEST PASTRAMI. [ Laughs ] IT'S LIKE OLD TIMES. Y-YOU REMEMBER US IN ATLANTIC CITY? MAYBE. MAYBE NOT. BUT I GOT A CONTRACT FOR YOU. ONE OF THE BIGGEST CONTRACTS EVER HANDED OUT ANYWHERES. ME? I-I'M A RESTAURANT MAN. YOU'RE ALSO A THIEF WHO IS CRAZY ENOUGH TO STEAL... FROM MOEY AND SAM AND MORRIS AND UNCLE LOUIE. I WANNA PAY BACK. [ Laughs ] YOU ARE FUCKING RIGHT. I-I CAN PAY BACK? WHEN YOU HANDLE THIS HIT, YOU'LL BE PAYING BACK. A HIT? WHY ME? THERE MUST BE 200 MECHANICS AROUND HERE CAN I TOLD 'EM. NO GOOD. THOSE GUYS AREN'T POLITICAL. I'M POLITICAL? YOU WERE IN CUBA. VERY GOOD FRIENDS I THOUGHT ABOUT YOU A LOT, GAMEBOY. YOU HAVE A COMMIE BACKGROUND IN THE F.B.I. FILES. COMMIE? I WAS OUT OF CUBA TEN YEARS BEFORE CASTRO. JOE, WHAT DO YOU WANT FROM ME? THIS IS CRAZY. ANYWAYS, - WHO'S THE CONTRACT? - THERE ARE TWO. WE'VE ALREADY TAKEN CARE OF THE FIRST ONE. YOU MAKE THE SECOND HIT. A KID NAMED WILLIE ARNOLD. I DON'T KNOW HIM. A-AND WHO'S THE FIRST? PRESIDENT KEGAN. SO DIAMOND WENT BACK TO PHILLY TO GET AHOLD OF CAPTAIN HELLER. HELLER WAS MY SUPERIOR OFFICER AT THE TIME. HE WAS A GREAT FAMILY MAN. SEVEN DAUGHTERS AND A BIG HOUSE. DAUGHTERS ARE EXPENSIVE. AFTER THE ASSIGNATION, DIAMOND'S JOB WAS TO SHOOT THE PHONY ASSASSIN, WILLIE ARNOLD, IN THE POLICE STATION. HELLER WAS PAID TO GET AN IN. HELLER WAS TERRIFIC AT ORGANIZATION. OUR LAST MEETING TOOK PLACE RIGHT HERE AT THIS FARM. HERE'S TWO SETS OF KEYS TO THE ENGLESON BUILDING. GET THEM TO THE TEXAN WHEN HE ARRIVES TOMORROW. RIGHT, CAPTAIN. WILLIE ARNOLD SHOULD BE PLANTED IN THE TV CENTER WAREHOUSE BY HALF PAST 9:00. THE MOTORCADE WILL PASS TOWARDS CITY HALL AT 12:30. RAY WILL GIVE YOU YOUR RIFLE AND SOME SHELLS TO HAVE ARNOLD THROW ON THE FLOOR AS EVIDENCE. TELL WILLIE ARNOLD TO GO HOME AFTER THE REAL HIT. IF WE NEED HIM, WE'LL SEND A PATROL ------------------------------ Читайте также: - текст Сталкер на английском - текст Кидалы на английском - текст Ганнибал: Восхождение на английском - текст Американский ниндзя 3: Кровавая охота на английском - текст Гадкие лебеди на английском |