I'm busy.
Come on, man,
I ain't lying to Bea.
Uh-oh.
Is that the wife?
Shut up.
I-I'll be there
in a second.
Don't mess with
this junk, all right?
All it'll do is
make you sick.
Does he have all
his fingers and toes?
Yes, he does.
Can he, uh...
Can he see?
Yes.
You want to hold him?
No, I can't.
Come on, Ray.
I wouldn't know
what to do it right.
That's what you
came here for.
Use this hand
to hold his head.
Okay. Right there.
That's your daddy.
Yeah.
He ain't no bigger
than a loaf of bread.
Thank you.
He's not my gift
to you, Ray.
He's your son.
You know I'm gonna take care
of both of you.
You know that, right?
I love you.
I love you, too, Ray.
But there's
something I got to say.
I know you're a musician,
a working musician,
but don't bring the road
into our home again.
The home I'm making
for you and our children.
Bea, l... I promise
I won't do that.
It... lt's just there's
some things...
No. Now, don't
say no more.
I ain't no fool.
You know, you're
the only woman I'll ever love.
Mama! Mama, help!
Mama, help!
Mama, help, please!
I need you!
Mama, help!
Mama!
I hear you, too, Mama.
You're right there.
Yeah, yes, I am.
Why are you crying, Mama?
'Cause I'm happy.
Hey, it's Uncle Jeff!
Got my camera!
Sarah! Sarah!
Come on in.
Put the flowers
right there behind them.
All right, big smiles,
everybody. Big smiles.
¤ Hello Mary Ann ¤
¤ You know
you sure look fine ¤
¤ Hello Mary Ann ¤
¤ You know
you sure look fine ¤
¤ Hello Mary Ann ¤
¤ I could love you
all the time ¤
¤ Oh Mary Ann ¤
¤ I say baby don't you know? ¤
¤ Oh Mary Ann ¤
¤ Well baby, don't you know? ¤
¤ Don't you know ¤
¤ that I love you so? ¤
¤ Oh, oh, oh ¤
Hi, Junior.
Come on, Ray,
let's get this boy home so
he can get something to eat.
I have those cookies
you like.
¤ Oh Mary Ann ¤
¤ Can I take you
home tonight? ¤¤
Boss, we try to make it
through these
cracker speed traps,
we gonna be a little late.
Yeah, just stay
within the limits.
All right.
Why don't we get
that spot in Memphis, huh?
We could have our own place.
Baby, I'm not
leaving Houston.
I bet she don't do this.
Oh, baby, hold on.
Goodbye don't mean gone,
okay?
I'm not gonna
leave my family.
Okay, baby, okay.
No need to get sore.
How about we give me
a little more to
do in the show, huh?
How about a solo?
You just don't stop,
do you?
Look, I'm going up to New York
to do some publicity.
You take a week off
and stay here,
find some material,
and when I get back,
we can talk about it.
Okay. Okay.
Okay.
Ah, you know what,
I dig New York, man.
It's like everybody here's
making their own sound.
They loved it. Ray,
they loved you.
We're gonna
get the cover of Billboard.
You know what, I want to
do a session while I'm here.
How about tomorrow?
What, you got
the band here?
Yeah. I've got
the band here
Step down.
Everybody except Mary Ann,
because I need
a different background.
You know what I'm sayin',
I've been hearing
this thing in my head,
kind of like a dance
between a man and three women.
Sounds fun.
Can I watch?
It's a dance of voices,
Ahmet.
W-What do you have in mind?
Like three Mary Anns?
Oh, no, no, no.
That's too smooth.
I need somethin'
that... that's more raw.
The Cookies.
What about The Cookies?
Yeah... yeah, Cookies
are sweet.
¤ If you don't want
you don't have to ¤
¤ Get in trouble ¤
¤ If you don't want
you don't have to ¤
¤ Get in trouble ¤
¤ If you don't want
you don't have to ¤
¤ Get in trouble ¤
¤ Say you better
leave my woman alone ¤
¤ Well, I know
you are a playboy ¤
¤ And you've got women
all over town ¤
¤ But, listen buddy,
if you ever sweet-talk
my little girl ¤
¤ I'm gonna
lay your body down ¤
¤ If you don't want
you don't have to ¤
¤ Get in trouble ¤
¤ You know you don't want ¤
¤ Oh yeah ¤
¤ If you don't want
you don't have to ¤
Jesus, he's on fire, huh?
Maybe we should
sign these girls up.
If