Good. No, no, no. Now, pick this up. BARTENDER: Hey. - Where's this lead to? No. It's a private apartment. - Fine. Knock on the door. - Wait, wait. I'll knock. - June. June? - Yeah, what is it? BARTENDER: Sorry. Some people wanna look around your place. - Something about a robbery. - I'm working! Can't you see that? BARTENDER: I'm sorry... GAIL: Tough titty. Excuse me. Excuse me. Have you seen this guy? Doesn't look so hard. - Is there another way out of here? - No. That's it. GAIL: All right, we're moving out! Come on. Look, we're sorry we disturbed you, lady, but we were sure that... Okay, let's boot it! Wasting time here. JUNE: It's okay. They're gone. PAUL: Great. Great. Okay, will you let me out of this thing now? JUNE: No, you're safe like this. They could still come back. PAUL: Look, lady, you've been great. Terrific. But can you let me out of here...? JUNE: Listen, you know, I'm involved in this too now. I gotta keep working on you. They could still come back. PAUL: Lady, let me out of this thing. Now. - Do you hear me? Let me out... - Shh! Shh! Okay, that's it. I just wanna go upstairs and check if they're still there. Be right back. [CLANGING] Didn't I tell you, man? Check it out. - Check it out. - Man, this is junk. What are you talking about? This is antiques, man. This is old. It's plastic. Let's call it a night, man. We got enough stuff already. [SPEAKS IN SPANISH] It's my sculpture! Hey, man, be careful with it. All right. NEIL: Man, is it worth taking this thing? PEPE: What, are you crazy, man? This is art. Art sure is ugly, man. Yeah, that's how much you know. The uglier the art, the more it's worth. NEIL: This must be worth a fortune. - That's right. - It's by that famous guy, Segal. - Yeah? You see him on the Carson Show. Plays the banjo all the time. I never watch Carson. Yeah, well, that's how much you know about art. I don't know, man. I'd take a stereo any day. Yeah, what do you know, man? A stereo's a stereo. Art is forever.-Okay, punch. Punch it in. -Right. Okay, let's, first of all, refresh the screen here... and go in a format ruler. -There. -All right. -Now, file? -Right. -And it's in memory? -Right. And... mark this down in the prefix file codes. -Prefix code. Right. -Okay. Good. Yeah, you got it. Another week, you'll have it down. lt's temporary anyway. l said it's temporary anyway. l do not intend to be stuck doing this for the rest of my life. -Don't tell Mr. Digman l said that, please. -Okay. Because what l really wanna do is l'd really like to get into publishing. There aren't any openings right now. But what l would love to do is create my own magazine... which would be like a forum for writers and intellectuals... who can't get into print anywhere else. l'm not into editing or trying to reach a particular audience. Getting it out there, they would get some momentum going... and do something with.... -With, you know.... -Excuse me, please. l love that book. -l love that book. -Yeah. l think Miller's really great. ''This is not a book. This is a prolonged insult... ''a gob of spit in the face of Art... ''a kick in the pants to truth, beauty, God....'' Something like that. That's very good. That's all l remember. l've read this before. l am just rereading it. l don't reread books that often... but this one's my favorite. l like it better than Capricorn or Plexus... or Sexus. He used to kiss himself after he ate a good meal. lt's mostly.... Let me ask you. Does that cashier seem a little weird to you? He keeps making these strange movements. God! l think he's just waiting to be discovered. Do you want another coffee? No. l'm gonna head over to my friend's house. -Which way you headed? -Downtown, SoHo. Nice. A loft? Yeah. She's a sculptress. Lately, she's been making these plaster-of-Paris bagels and cream cheese. Really? ------------------------------ Читайте также: - текст Мое дорогое Кунфу на английском - текст Пролетая над гнездом кукушки на английском - текст Дети капитана Гранта на английском - текст Каменный цветок на английском - текст Лиля навсегда на английском |