obviously wouldn't approach you in this state... ...were I not so... ...unusually... ...intrigued. Well. There. I bared my soul to you. May I? [KNOCKING] JUNE: Why are you doing this? PAUL: What? You flirt with me... ...you share your cigarette with me... ...you dance with me. You're nice to me. Why are you doing this? I want... ...to live. - Okay, sorry, folks. Closing up. - I just... - Time to go home. ...want... ...to live. Live. Come downstairs with me, Paul. Come on. [BANGING] - They got in! - What is it? I have to tell you, I'm in big trouble. Those people up there wanna kill me. - Is there a way out? - No! - Is there a way out? - No! - What is this? - No, don't go in there! - Oh, what's this? - No, don't touch that! No, don't touch that vat! Oh, God. [PAUL GROANING] - Come with me, Paul. - What? Come with me. Come on. You're closed, you wanna go home. It's only gonna take a minute. - I'm telling you no one's in here. - You cannot reason with this man. Don't move, I don't wanna stick you with this stuff. Okay. I just gotta put this piece here. GAIL: Hold up! No! Hold up! Do you at all sense the pressure here? This is very good for the pores. GAIL: Come on, it's a total search! All right. Good. No, no, no. Now, pick this up. BARTENDER: Hey. - Where's this lead to? No. It's a private apartment. - Fine. Knock on the door. - Wait, wait. I'll knock. - June. June? - Yeah, what is it? BARTENDER: Sorry. Some people wanna look around your place. - Something about a robbery. - I'm working! Can't you see that? BARTENDER: I'm sorry... GAIL: Tough titty. Excuse me. Excuse me. Have you seen this guy? Doesn't look so hard. - Is there another way out of here? - No. That's it. GAIL: All right, we're moving out! Come on. Look, we're sorry we disturbed you, lady, but we were sure that... Okay, let's boot it! Wasting time here. JUNE: It's okay. They're gone. PAUL: Great. Great. Okay, will you let me out of this thing now? JUNE: No, you're safe like this. They could still come back. PAUL: Look, lady, you've been great. Terrific. But can you let me out of here...? JUNE: Listen, you know, I'm involved in this too now. I gotta keep working on you. They could still come back. PAUL: Lady, let me out of this thing. Now. - Do you hear me? Let me out... - Shh! Shh! Okay, that's it. I just wanna go upstairs and check if they're still there. Be right back. [CLANGING] Didn't I tell you, man? Check it out. - Check it out. - Man, this is junk. What are you talking about? This is antiques, man. This is old. It's plastic. Let's call it a night, man. We got enough stuff already. [SPEAKS IN SPANISH] It's my sculpture! Hey, man, be careful with it. All right. NEIL: Man, is it worth taking this thing? PEPE: What, are you crazy, man? This is art. Art sure is ugly, man. Yeah, that's how much you know. The uglier the art, the more it's worth. NEIL: This must be worth a fortune. - That's right. - It's by that famous guy, Segal. - Yeah? You see him on the Carson Show. Plays the banjo all the time. I never watch Carson. Yeah, well, that's how much you know about art. I don't know, man. I'd take a stereo any day. Yeah, what do you know, man? A stereo's a stereo. Art is forever. Subtitles by SDI Media Group [ENGLISH SDH]- Punch. Punch it in. - Okay. Right. Okay. Let's... First of all, refresh the screen here... ...all right, and go in a format ruler. - There. - All right. - Now, file? - Right. - And it's in memory? - Right. And... ...mark this down in the prefix file codes. - Prefix code. Right. - Okay. Good. Yeah, you got it. Another week, you'll have it down. It's temporary anyway. I said, it's temporary anyway. I do not intend to be stuck doing this for the rest of my life. - Don't tell Mr. Digman I said that. - Okay. Because what I really wanna do is, I'd really like to get into publishing. ------------------------------ Читайте также: - текст Весна на Заречной улице на английском - текст 48 часов на английском - текст Король Лир на английском - текст Гарфилд: История двух кошечек на английском - текст Онг-Банк: Тайский Воин на английском |