I remember. - How are you? - All right. I'm all right. I just got in... ...and I opened up my book and saw your number and... Good. I'm glad you called. So... So do you work near that coffee shop or live in the neighborhood or...? No, I was just over at a good friend of mine's. Actually, we had a terrible argument. That's too bad. Yeah, it is. I'm sure, whatever it was, I'm sure you'll straighten it out. You think so? Do you think I should try to make up? Well, I don't know, I mean... You know... Maybe you're better off. You know, I don't know what the circumstances were, but sometimes... You know, I don't... It's not even... It's not my business. - Maybe you should come over, Paul. - What? - Maybe you should come on over. - Sure. Sure. Now? Yeah. Why not? Where to? I'm at 28 Howard Street. Near the corner of Crosby. It's in SoHo. - The name on the buzzer is Franklin. - Not Bridges? Bridges is crossed out. Just press the buzzer. Okay. About 45 minutes? - Yeah, great. I'll see you later. - All right. - Paul? - Yes. I'm really glad you called. Me too. Me too. Okay. I'll see you later. - Bye. - Bye. - I've only got a 20. Can you break it? MAN: Yeah, sure. No problem. No hurry. [TIRES SCREECHING] [HONKING] [CUADRO FLAMENCO'S "EN LA CUEVA" PLAYS] PAUL: Oh, shit! Excuse me, I just... Damn! Oh, my God! Excuse me. My money flew out the window. DRIVER: Okay, that'll be 6.50. PAUL: Listen, my money just flew out the window. I put it in this cradle... ...and you went so fast around that corner that I don't have any... What I'm saying is, I don't have any money. I'm really sorry. Look, let me show you something. Look, that was... I had $20. And now I don't have any more. I'm really sorry. Franklin. Franklin. Franklin. Franklin. - Are you Paul? - Yeah. Here, catch. [THUNDERING] [PIANO PLAYS] PAUL: Hi. KIKl: Hi. - Your keys. - You can just put them on the table. PAUL: I like that. - Do you? - Yeah. Very much. It reminds me of that Edvard Munch painting. What's it, The Shriek? - The Scream. - The Scream. Right. Yeah. Sort of like a three-dimensional version of that painting. Is Marcy here? She had to go out to the all-night drugstore. - Is she all right? - It's under control. PAUL: This place is huge. Do you share it with anyone? KIKl: Hey, would you like to work on this for a while? - I could use a break. - What? It's not hard. What are you talking about? This is yours. - How would I know what you want? - Look, it's real easy. Just take some of this stuff and slap it on like this. [PHONE RINGING] KIKl: All right, I'm coming. Yeah? Of course he's here. You invited him. That's your problem, Marcy. I'm not gonna tell him. I'm not telling him. I can't talk any louder. All right, hurry up. - How's it going? - It's great. I'm just giving him a shoulder. Look what you did to your shirt. Oh, good. - Give it to me, I'll throw it in the wash. - No, that's all right. It'll only take 20 minutes. That's okay. Come on. You wanna look nice for your big date, don't you? All right. - Twenty minutes, huh? - Uh-huh. - Put this on while you're waiting. - Thanks. You do that all day and your own shoulders get pretty sore. Want a massage? - You read my mind. Would you? - Sure. I'm not too good at this. Just know a few basic moves. Just make it hurt and you're on the right track. That's all I know. Okay. - You have a great body. - Yes. Not a lot of scars. That's true. Never occurred to me. I mean, some women I know are covered with them head to toe. Not me. - Scars? - Uh-huh. Horrible, ugly scars. I'm just telling you, now. I don't know. I know, when I was a kid... ...I had to have my tonsils taken out. And ------------------------------ Читайте также: - текст Глаза Лауры Марс на английском - текст Карлсон вернулся на английском - текст Дюна на английском - текст Королество кривых зеркал на английском - текст Бумер на английском |