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's it.
I just want to go upstairs
and check if they're still there.
Be right back.
Didn't I tell you, man? Check it out.
- Check it out.
- Man, this is junk.
What are you talking about?
This is antiques, man. This is old.
It's plastic. Let's call it a night.
We've got enough stuff already.
It's my sculpture!
- Be careful with it.
- All right.
Is it worth taking this thing?
Are you crazy, man? This is art.
Art sure is ugly, man.
Yeah, that's how much you know.
The uglier the art, the more it's worth.
- This must be worth a fortune.
- That's right.
- It's by that famous guy, Segal.
- Yeah?
You see him on the Carson Show.
Plays the banjo all the time.
I never watch Carson.
That's how much you know about art.
I don't know, man.
I'll take a stereo any day.
Yeah, what do you know, man?
A stereo's a stereo. Art is forever.
English[TYPEWRITERS CLICKING]
- Punch. Punch it in.
LLOYD: Okay. Right.
Okay. Let's, first of all,
refresh the screen here...
...all right, and go in a format ruler.
- There.
- All right.
- Now, file?
- Right.
LLOYD:
Right.
- And it's in memory?
- Right.
And...
...mark this down
in the prefix file codes.
- Prefix code. Right.
- Okay.
Good. Yeah, you got it.
Another week, you'll have it down.
- It's temporary anyway.
- Huh?
I said, it's temporary anyway.
I do not intend to be stuck doing this
for the rest of my life.
- Don't tell Mr. Digman I said that.
- Okay.
Because what I really wanna do is,
I'd really like to get into publishing.
There aren't any openings right now.
But what I would love to do is just
create a magazine, my own magazine...
...which would be, like,
a forum for writers and intellectuals...
...who can't get into print
anywhere else, who could, you know...
I'm not into editing or trying
to reach a particular audience.
Getting it out there,
they would get some momentum going...
...and, you know, do something with...
- With, you know...
- Excuse me, one second.
MARCY:
I love that book.
I love that book.
Yeah. Oh, yeah.
I think Miller's really great.
"This is not a book.
This is a prolonged insult.
A gob of spit in the face of art.
A kick in the pants to truth,
beauty, God..."
Something like that.
That's very good.
That's all I remember.
I've read this before. I mean, I don't...
I'm just rereading it.
I don't reread books that often...
...but this one's my favorite.
I like it better than Capricorn
or Plexus...
...or Sexus.
You know, he used to kiss himself
after he ate a good meal.
It's mostly...
Let me ask you. Does that cashier
seem a little weird to you?
He keeps making
these strange movements.
[CHUCKLING]
PAUL:
God!
I think he's just waiting
to be discovered.
Do you want another coffee?
No. I'm gonna head over
to my friend's house.
- Which way you headed?
- Downtown, SoHo.
Oh, nice. Nice. A loft?
Yeah. She's a sculptress.
Lately, she's been making these
plaster-of-Paris bagels and cream cheese.
Really.
She's trying to sell them as
paperweights. You wanna buy one?
Paperweight?
Yeah, I would. How much are they?
I don't know.
If you think you might be interested,
her number's 243-3460.
243-3460. Okay.
- Her name is Kiki Bridges.
- Kiki Bridges. Okay.
- Nice talking to you.
- Yeah. Great talking to you.
Excuse me. Can I borrow your pen?
Thank you.
WOMAN: Yeah?
- Yes. Is Kiki Bridges there, please?
- This is her.
- Hi.
You don't know me. I'm calling because
I'm interested in your paperweights.
- Yeah?
- You're the sculptress, right?
KIKl:
Uh-huh.
A girl I met tonight at a coffee shop
told me that she was staying with you...
Oh, you mean Marcy.
- I don't know. She didn't say her name.
- Hold on. I'll get her.
She told me about these paperweights
and the work that you do.
MARCY:
Hello?
- Hello? Marcy?
- Yeah.
Hi, this is Paul Hackett.
We met earlier tonight.
Hi. Sure,
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