person was me.
Thank you.
And I was happy.
I was happy for myself
and for those who perform after me.
We didn't have the past,
but there is a long happy life ahead.
Thank you.
- David.
-Why didn't you tie it on the stage.
The stage and a cold
are different things.
Maybe I should celebrate
the first of May like this too?
Maybe. Because
it will not hide your greatness.
Tanya, what greatness
are you talking about?
Sergey Kharitonov,
a second-year student
is going to continue our concert.
Accordion.
Variation on the Rimskiy-Korsakov theme
"The Fly of a Bumblebee."
-Where are you going?
- Excuse me.
Quiet.
- Did you hear that?
-Yes, I did.
D sharp, second octave.
No, I mean it sounds like a train horn.
It was very closely,
like in Tulchin. Do you remember?
No, I don't and I don't want
to remember anything about Tulchin.
I told you that already.
Three years ago I came here by train.
And I remember everything
only since that day.
And it was nothing before that day.
And neither Matrosskaya Tishina?
Matrosskaya Tishina
is an ordinary street.
I made up that story
that ships are buried on that street,
and old sailors live there.
But do you know who really leave there?
Hanna's relatives.
You've never visited them?
Why? What a pleasure to see them!
Hanna, Hanna's mother,
Hanna's father.
Children will have a glass of cherry wine,
and then tea with cakes.
We don't need to go
to Matrosskaya Tishina.
Kiev-Moscow
Wait.
Careful.
Take it away.
Don't slow it down.
Good bye.
Thank you.
Drink it while it's hot.
Tanya, how did you manage to make it?
Boiled and with butter.
How did you manage
to catch a cold in May?
I'm just an unusual man.
You're just an unusual show-off.
Why do you say that?
I have a scholarship, right?
There was an article in a newspaper, right?
Bagrov, did you give money?
You will marry me, right?
So why do you call me a show-off?
Shvartz?
- Hi.
- Hello.
Did you see Slava Lebedev?
No, I didn't.
He's rehearsing somewhere.
I see.
- D'you have a cigarette?
- No.
I can read you some poetry. New.
Brilliant.
-Yours?
- Mine.
No, don't. See you.
We drink milk and we drink wine,
And we don't think trouble can come by.
And we don't know what's gonna happen soon,
To ask for happiness for drink in the noon.
Who is she?
Luda Shutova.
She's from the musicology faculty.
She's either genius or crazy.
- I gotta run.
-Where? Already?
I told you, I'm going to the hairdresser's,
then to the dressmaking shop,
then to your dormitory.
How beautiful I'm gonna be in my new dress!
You are beautiful.
I'd even say too beautiful.
Just like Lubov Orlova.
Don't get mad.
Don't even think about
taking off your scarf.
I'll found that out if you do.
Did you understand me?
- Slava, where have you been?
- In the audience.
- Thank you. guys.
- Congratulations.
Thank you.
-Why were you in the audience?
- I was deleted from the performers' list.
- How?
-Just like that.
It can't be!
That was right.
What was right?
If a father is a public enemy
and his son doesn't believe in it,
that means he's a public enemy too.
It makes everything right.
Maybe they will sort it out, Slava.
Who?
I don't know.
Why do I have to believe in it?
I didn't just love my father.
I was always proud of him.
I looked at him
as it was me when I grow up.
But I'm not an enemy.
No.
-And my father?
- I don't know.
Lebedev, did you give money
forth evening performance?
-Yes, I did.
-And you, Shvartz?
Yesterday.
If we run out of wine
it will be your fault.
And what are you gonna do?
I don't know.
I'll go to Kinishma.
My mother and my sister live there.
I'll go to work to a cinema theatre.
What cinema theatre?
To the orchestra,
which plays before movie starts.
I can play simple things.
But they didn't expel you
from the Conservatory, did they?
No, they didn't.
Then why do you want to go
to work to the cinema theatre?
Slava, why do you have to go