there?
Okay, these are scripts
that this studio
would like to do with
that star over there,
the one smelling
his own bottom.
l'm attached to produce.
You're the trainer.
Everybody wins.
Unless you rock the boat.
So look at it like this,
don't screw up.
Train Beethoven
and let that dog put us
on the front page of Varнety.
Okay?
Okay.
Okay.
Here you go, honey.
Whenever you have a minute.
Take your time.
He's gorgeous.
Thanks.
What are you smiling at?
(FARTS)
When's my next appointment?
Just quit it.
Hello?
Beethoven, where are you?
(SCREAMS)
May l help you?
Sal?
(SPEAKING SPANISH)
Sal, l know it's you.
Well, of course it's me.
l'm ioking, obviously.
What are you doing here?
What am l doing here?
Hey, pal. l got a pass.
l work here
on the incredibly popular
Anнmals Gone Wнld.
We shoot right over here,
on the main stage, on the lot.
That is what l'm doing here.
l meant,
what are you doing here,
spying on my dog?
That. That. Just came
by to say hello. Hello.
Came by to see
the big fellow.
How're you doing?
Beethoven, he's beautiful!
Look at that big fellow.
Come to Daddy. Come to Daddy.
(BARKS)
(GROWLING)
Wow. Get that beast
away from me!
l don't think
he likes you very much, Sal.
Hey, good luck
with your new job.
l sure am enjoying
your old one.
Come on, boy. Come on.
He's a bad man,
but you're a good boy.
You're a good boy!
EDDIE: All right.
Now, listen to me.
l want you to roll over,
you understand?
Come on, no. No. Come back!
Roll. Roll over.
They're kind of dorky,
aren't they?
Actually, yeah.
But in a good way.
Sit. Come on.
My dad says you really
don't like Beethoven,
that you would prefer
a baybreeze frizay.
(LAUGHING) Bichon frisй.
How would your dad
know what l prefer?
Well, he says you're
more brainy and refined
and meant for bigger things.
Bigger than what?
Us, l guess.
EDDIE: Come on, now.
l wouldn't be so sure.
He said you were pretty, too.
(CHUCKLING) He did, did he?
No. But you are!
Thank you, Billy.
l think you're
teaching my dad
how to be more
brainy and refined.
Oh?
Whoa!
Oh!
But it's not easy.
Oh.
STANLEY: Prep 52A,
and we'll knock that
out and call it a day.
All right, quiet people!
l hear way too much talking!
lf you wanna have fun,
go to the dentist.
So what does our
beautiful Beethoven
have in store for us today?
Well, in this scene,
Beethoven tiptoes
into the dining room,
and when the family's
not looking,
he gingerly steals a
shrimp off the dad's plate.
That's it?
(STAMMERING) No, no, no,
he steals the shrimp,
and then it's funny.
He leaves some slobber
on the plate.
lsn't that the same beat
we played yesterday
with the bacon?
lt's a call back,
rule of threes.
(PATRICIA KNOCKING ON WINDOW)
Hey, hey!
Get to work down there.
Get to work.
Lunch нs нn fнve mнnutes.
l want the scene нn the can!
Okay. Let's see what happens.
Okay. Come on, buddy.
Let's go.
All right, places, people.
Let's do this!
Quiet, quiet.
Okay, Beethoven.
Just like we practiced.
When the dad looks away,
you just tiptoe in
and you grab that shrimp.
You got it?
ls he slobbery enough?
Yeah.
Okay, people,
Iet's get this right.
Quiet.
We are working with dogs.
(BELL RINGS)
Okay, buddy, iust stay calm.
Wait for it. Wait for it.
And roll sound.
Speed.
Camera.
Set.
And action!
EDDIE: Ready? Now, go.
Action.
What happened to the tiptoe?
BOTH: Oh!
(BARKS)
(GRUNTS)
(BOTH GROAN)
Cut! Print!
That is what
l'm talking about.
That's a trailer moment.
(PEOPLE LAUGHING)
Give it up
(IMITATES CLASSICAL PIANO)
for my super star, Beethoven,
and his genius trainer.
(WHOOPS)
(CAMERA CLICKING)
No.
Don't! No!
No!
Beethoven!
(ALL SIGHING)
(LAUGHING)
(BARKING)
(GRUNTS)
Roll over. Roll over.
Roll over. Roll over.
(FARTS)
(GROANS)
God. Really?
That is iust wrong.
(FARTS)
Aw!
l like the whole
shoelsandal thing
you got going on there.
Very trendy.
l don't get it.
That dog