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Амадей

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l can 't think of a time
when l didn 't know his name.
l was playing games. . .
. . . when he was playing music
for kings and emperors.
Even the pope in Rome.
l admit, l was jealous. . .
. . . when l heard the tales
they told about him.
Not of the brilliant little prodigy. . .
. . .but of hisfather,
who had taught him everything.
My father, he did not care for music.
When I told him. . .
. . . how I wished I could be
like Mozart. . .
. . .he would say, ''Why? Do you want
to be a trained monkey?
You 'd like me to drag you around,
doing tricks like a circus freak?''
How could I tell him. . .
. . .what music meant to me?
While my father
prayed earnestly to God. . .
. . . to protect commerce. . .
. . .l would offer up. . .
. . .secretly. . .
. . . the proudest prayer
a boy couldthink of.
''Lord, make me a great composer.
Let me celebrate your glory
through music. . .
. . .and be celebrated myself.
Make me famous through the world.
Make me immortal.
After l die. . .
. . .let people speak my name
with love for what I wrote.
In return. . .
. . . I will give you my chastity. . .
. . . my industry. . .
. . . my deepest humility,
every hour of my life.
Amen. ''
And do you know what happened?
A miracle!
My life changed forever.
I knew God had arranged it all .
That was obvious.
One minute I was a frustrated boy. . .
. . .in an obscure little town.
The next I was here. . .
. . .in Vienna, city of musicians. . .
. . .and Emperor Joseph,
the musical king.
ln a few years, l was his court
composer. lsn 't that incredible?
Every night l sat with
the emperor of Austria. . .
. . .playing duets with him. . .
. . . correcting the royal sight-reading.
Actually, the man had no ear at all .
But what did it matter?
He adored my music.
Tell me. . . .
If you had been me. . .
. . .wouldn't you have thought
God had accepted your vow?
And believe me, I honored it.
I was a model of virtue.
I kept my hands off women.
I worked hours every day
teaching students, many for free!
Sitting on endless committees
to help poor musicians.
Work, that was all my life.
And it was wonderful .
Everybody liked me.
I liked myself.
Until he came.
He came to Vienna to play
some of his music. . .
. . .at the residence
of the Prince Archbishop of Salzburg .
Eagerly, l went there to seek him out.
That night. . .
. . . changed my life.
As l wandered through the salon. . .
. . .l played a little game with myself.
This man had written
hisfiirst concerto at the age of 4. . .
. . .hisfiirst symphony at 7,
a full-scale opera at 12!
Did it show?
lstalent like that. . .
. . . written on the face?
Which one of them. . .
. . . could he be?
Mozart is not here.
-Stop it!
-I am.
-Stop it!
-I am stopping it.
I am! I' m stopping it. Slowly.
There. You see? I've stopped .
-Now we' re going back.
-No!
Yes! You don't know where you are.
Here, everything goes backwards.
People walk and dance and sing
and even talk backwards.
-That's stupid .
-Why? People fart backwards.
Ssa-ym-ssik!
Ssa-ym-ssik!
Yes, you are. You are very sick.
No! Say it backwards, shitwit!
Ssa-ym-ssik.
Ssik, kiss.
Ym, my. Ssa.
Kiss my ass.
Em-yrram!
-I' m not playing !
-Say it, it's serious.
It's very serious.
Yrram.
Marry me.
I' m not gonna marry you.
You' re a fiend .
Uoy-evol-I-tub.
Tub.
But I . . .
. . .love. . . .
But I love you?
-Tihs-ym-tae.
-What?
-Eat.
-Eat.
-Ym, my.
-My.
Tihs. Eat my shit.
You filthy fiend !
You filthy--!
My music.
They've started without me.
That was Mozart!
That giggling, dirty creature
I'd just seen crawling on the floor.
-I think that went well, don't you?
-Indeed .
The Viennese know good music,
don't you think?
Certainly.
Your Grace.
Ah, Mozart.
-Why?
-Why what, sir?
Why do I have to be humiliated
in front of my guests. . .
. . . by one of my own servants?
The more license I allow you,
the more you take.
If His Grace is not satisfied,
he
Амадей Амадей

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