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certain fathoms in the earth.
And deeper than did
ever plummet sound, I'll...
Captain?
Sir, your attention is wandering.
- Data, I can barely see you.
- But, sir.
I am supposed to be attempting
a Neo-Platonic magical rite.
The darkness is appropriate
for such a ritual.
But, Data, this is a play.
The audience has to see you.
Perhaps I have been too literal
with my set design.
Computer,
modify holodeck program Data 73.
Shakespeare's The Tempest,
Act Five, Scene One.
Increase torch light by 20 percent.
There, that's better.
Do you want to try it again?
Yes, sir.
Captain.
I am not certain I fully understand
this Prospero character.
I would appreciate
any insight you might have
that would improve my performance.
Well, Data. Shakespeare was
witnessing the end of the Renaissance
and the birth of the modern era.
Prospero finds himself in a world
where his powers
are no longer needed.
So, we see him here about to perform
one final creative act
before giving up his art forever.
There is certainly a tragic aspect
to the character.
There's a certain expectancy, too.
A hopefulness about the future.
Shakespeare enjoyed
mixing opposites.
The past and the future.
Hope and despair.
Data, what is it?
Is this part of your program?
No, sir.
What's going on?
- It appears to be a locomotive.
- A train?
- If I am not mistaken.
- Computer, end program.
Space, the final frontier.
These are the voyages
of the Starship Enterprise.
Its continuing mission,
to explore strange new worlds...
...to seek out new life
and new civilisations...
...to boldly go
where no one has gone before.
Captain.
- You are injured.
- Yes, I know. It's alright.
I'll get it seen to, Data.
The train we encountered was from
one of Dr Crusher's programs.
It was a recreation
of the Orient Express,
a train which travelled
from Paris to Istanbul in the...
Yes, I know about the train.
But what is it doing
on Prospero's island?
There was a malfunction
in the database retrieval program.
The two programs
temporarily linked together.
Is it possible this will affect
the other holodecks?
It is a possibility.
I will run a full diagnostic.
Good. Shut down the other holodecks
until you're finished,
- Just to be on the safe side.
- Aye, sir.
I never realised
you were interested in trains.
Did you know that, at its peak,
the Orient Express carried
over 10,000 people a year?
It isn't the train I'm interested in.
- What, then?
- It's the experience.
The Orient Express
is romantic, mysterious,
an elegant way to see exotic places
and meet fascinating people.
On one trip, both Sigmund Freud and
Gertrude Stein were in the same car.
They had dinner together every night.
- I wonder what they talked about.
- Take a trip yourself and find out.
- Riker to Picard.
- Picard here.
All sections
ready to begin the survey, sir.
Good. I'm on my way. Thank you.
Don't forget the trip.
Think about it.
You never know who you'll meet
on the Orient Express.
Captain's log, stardate 47869.2.
After weathering
an unexpected magnascopic storm,
we are continuing our search
for new Federation colony sites.
There's no possibility
of developing sites here.
Most of the stars are binaries.
There are no M-class planets.
Let's move on another survey region.
Have stellar cartography...
- Mr Data, report.
- The ship has moved into warp.
Who gave that command?
Apparently, no one.
Helm and navigation controls
are not functioning.
Our speed is warp 7.3 and holding.
Picard to Engineering.
- Mr La Forge, what's going on?
- I don't understand it.
The impulse system cut out
and warp drive just kicked in.
- Can you take the engines off line?
- I'm working on it.
- Mr Data, what's our heading?
- Bearing 187, mark four, sir.
I cannot determine our destination,
but we are moving away
from the Mekorda sector.
Computer's locked out
propulsion controls.
I can't access the overrides.
If you want to stop, I'
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