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Амадей

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talent like that. . .
. . . written on the face?
Which one of them. . .
. . . could he be?
Mozart is not here.
-Stop it!
-I am.
-Stop it!
-I am stopping it.
I am! I' m stopping it. Slowly.
There. You see? I've stopped .
-Now we' re going back.
-No!
Yes! You don't know where you are.
Here, everything goes backwards.
People walk and dance and sing
and even talk backwards.
-That's stupid .
-Why? People fart backwards.
Ssa-ym-ssik!
Ssa-ym-ssik!
Yes, you are. You are very sick.
No! Say it backwards, shit wit!
Ssa-ym-ssik.
Ssik, kiss.
Ym, my. Ssa.
Kiss my ass.
Em-yrram!
-I' m not playing !
-Say it, it's serious.
It's very serious.
Yrram.
Marry me.
I' m not gonna marry you.
You' re a fiend .
Uoy-evoI-I-tub.
Tub.
But I . . .
. . .love. . . .
But I love you?
-Tihs-ym-tae.
-What?
-Eat.
-Eat.
-Ym, my.
-My.
Tihs. Eat my shit.
You filthy fiend !
You filthy--!
My music.
They've started without me.
That was Mozart!
That giggling, dirty creature
I'd just seen crawling on the floor.
-I think that went well, don't you?
-Indeed .
The Viennese know good music,
don't you think?
Certainly.
Your Grace.
Ah, Mozart.
-Why?
-Why what, sir?
Why do I have to be humiliated
in front of my guests. . .
. . . by one of my own servants?
The more license I allow you,
the more you take.
If His Grace is not satisfied,
he can dismiss me.
I wish you to return immediately
to Salzburg .
-Your father is waiting for you there.
-No, Your Grace!
I would prefer you dismissed me.
It's obvious I don't satisfy.
I have no intention of dismissing you.
You will remain in my service. . .
. . .and learn your place.
On the page it looked. . . .
Nothing!
The beginning simple, almost comic.
Just a pulse.
Bassoons, basset horns. . .
. . .like a rusty squeezebox.
And then, suddenly. . .
. . . high above it. . .
. . .an oboe.
A single note, hanging there,
unwavering .
Until . . .
. . .a clarinet took it over. . .
. . .sweetened it into a phrase
of such delight.
This was no composition
by a performing monkey.
This was a music I had never heard .
Filled with such longing,
such unfulfillable longing .
It seemed to me l was hearing
the voice of God.
Excuse me.
But why?
Why would God choose an obscene child
to be his instrument?
It was not to be believed .
This piece had to be an accident.
It had to be.
It better be.
How good is he, this Mozart?
He's remarkable, Majesty. I heard an
extraordinary opera of his last month.
-Idomeneo, King of Crete.
-That?
A tiresome piece. I heard it too.
Tiresome?
A young man trying to impress
beyond his abilities.
Too much spice.
Too many notes.
Majesty. . .
. . .it was the most promising work
I've heard in years.
Then, we should make
some effort to acquire him.
We could use a good German composer
in Vienna, surely?
I' m sure he could be tempted
with the right offer. Say. . .
. . .an opera in German
for our National Theater.
Excellent, sire!
But not German. I beg, Your Majesty.
Italian is the proper language
for opera.
All educated people agree on that.
What do you think, chamberlain?
In my opinion, it's time
we had a piece in our own language.
Plain German for plain people.
Kapellmeister?
Majesty. . .
. . . I must agree with Herr Direttore.
German is. . .
. . .too brute for singing .
Court composer. . .
. . .what do you think?
I think it's an interesting notion
to keep Mozart in Vienna.
It should infuriate the archbishop. . .
. . .if that is Your Majesty's
intention.
You are cattivo, court composer.
I want to meet this young man.
Arrange a pleasant welcome for him.
Well, there it is!
This is a beautiful wig for you.
It looks so marvelous and I I’ve it.
The other one.
Here is the other one.
I think you will I’ve it.
Here's the third one. So? Here we go.
-How do you like it?
-They' re all so beautiful !
Why don't I have three heads?
This is funny!
Three heads!
Gentlemen.
-Good morning .
-Morning,
Амадей Амадей

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