have a brother.
l'll call Heerz and rent you a brother.
- Oh, very funny.
- Oh, everybody's a critic.
Showtime, folks.
Showtime.
Five, six, seven, eight.
Stop smiling. Lay back. Lay back.
Hold it, hold it, hold it.
Candy, Casey, very good.
You're gonna do it again, Victoria.
Gary, Danny, let's go.
Stop smiling. lt's not
the high-school play. Count.
Five, six, seven, eight.
Hold it.
Stand on your right foot.
Point your left toe.
Drop that shoulder.
Now, that's not too hard, is it?
Again.
Five, six, seven, eight.
Lay back, Victoria. Lay back.
Lay back!
Hold it, hold it.
- Sorry.
- No, you're right. l'm terrible.
l know l'm terrible. l look
in the mirror and l'm embarrassed.
Maybe l should quit. l... l just
can't seem to do anything right.
Listen, l can't make you a great dancer.
l don't even know
if l can make you a good dancer.
But if you keep tryin' and don't quit,
l know l can make you a better dancer.
And l'd like very much to do that.
Stay?
Are you gonna keep yelling at me?
Probably.
Five, six, seven, eight. One and two,
three, four, five, six, seven, eight. One, two.
One, two, three, four, five,
six, seven, eight. One, two.
Better.
Breathe deep. Again.
Hold it.
All right, you can turn around now.
Breathe deep.
Again.
All right, you can put your shier on now.
Well, Doctor? Does he pass?
Good. Now l'm woerh a million dollars.
That's only if you die before February 1st.
Schedules, Goldie, always schedules.
Can we take you to lunch, Doctor?
? And any seat you grab
will be first class
One, two, three, four, five, six, seven, eight.
Nah, that's no good either. Let's try this.
- Measure 412.
- l do the same as before?
Yeah, same thing, only l'll be behind you.
? And any seat you grab will be first class
Two, three, four, five, six, seven, eight.
All right, let's everybody try it.
Grab a paerner. Come on.
OK, here we go. Ready?
Five, six, seven, eight.
? And any seat you grab will be first class
Five, six, seven...
- Do it again.
- Once more, everybody.
Ready? Five, six, seven...
? And any seat you grab will be first class
One, two, three, four, five, six, seven, eight.
OK.
- OK, here we go. Once more, everybody.
- l gotta get outta here. l'll be back later.
- How does this look, Paul?
- l love it, love it.
No. lt's too cute.
Ah! Oh, shit.
l can't go back to that room.
l can't face those dancers.
l'm stuck. They keep staring at me,
and nothing's coming out.
- Oh, boy, the number's lousy.
- My song, lousy?
No, not the song. Me, me,
the way l'm staging it.
- Maybe we should cut it.
- Cut it? l think l'll leave.
Paul, sit right there. Go back to bar 17.
And...
Did you hear what l said?
Nothing is coming.
Don't worry, Paul, he always says the same
thing about every number, in every show.
Now how the hell do you know
what l always say?
- lt would be better if l stepped outside.
- Keep playing, Paul.
l'm only doing this goddamn show because
you wanna play that stupid 24-year-old girl.
Oh, l knew sooner or later you'd say that.
You do think l'm too old for the paer.
Well, you're wrong.
l can play 24 years old,
and l'll damn well prove it.
You wanna quit the show? Quit the show.
You don't have to do anything for me.
Just don't kid yourself that you're doing this
show for any reason except guilt about me.
Guilt? What guilt?
For never going one day
when you were faithful to me?
Oh, that guilt.
Faithful, faithful... You're always
talking about being faithful.
Audrey, why do you think so small?
Besides, how do l know
you were faithful to me?
- You know l was.
- That's right, l know you were.
- Oh, you meant to do that.
- Yes, l did.
You kept me working all the time.
l never had a chance to cheat.
What is this big hang-up about fidelity?
What makes being faithful
the greatest friggin' vierue in the world?
Excuse me.
Well, it is a great deal better
than the meaningless affairs
you keep tap-