Love this time
She likes the way he sings
White demon love song's in her dreams
White demon, where's your selfish kiss?
White demon sorrow will arrange
Let's not forget about the fear
Black invitation to this place
that cannot change
While strangely holy
Come for a rain
White demon, widen your heart's scope
White demon, who let your friend go?
White demon, widen your heart's scope
White demon, who let your friend go?
-Let us be in love
-Let us be in love
-Let's do old and gray
-Let's do old and gray
-I won't make you cry
-I won't make you cry
-I will never stray
-I will never stray
-I will do my part
-I will do my part
Let us be in love tonight
White demon, widen your heart's scope
White demon, who let your friend go?
White demon, widen your heart's scope
White demon, who let your friend go?
Stand it anymore, darling
Stand it
(MEET ME ON THE EQUINOX PLAYING)
Meet me on the equinox
Meet me halfway
When the sun is perched at its highest peak
In the middle of the day
Let me give my love to you
Let me take your hand
As we walk in the dimming light
Oh, darling, understand
That everything, everything ends
Meet me on your best behavior
Meet me at your worst
For there will be no stone unturned
Or bubble left to burst
Let me lay beside you, darling
Let me be your man
And let our bodies intertwine
But always understand
That everything, everything ends
That everything, everything, everything ends
A window
An opened tomb
The sun crawls
Across your bedroom
A halo
A waiting room
Your last breaths
Moving through you
As everything, everything ends
As everything, everything, everything
Everything, everything, everything ends
Meet me on the equinox
Meet me halfway
When the sun is perched at its highest peak
In the middle of the day
Let me give my love to you
Let me take your hand
And as we walk in the dimming light
Oh, darling, understand
That everything, everything endsWelcome. This is Chris Weitz,
director of New Moon.
I have with me, by magic,
from London, Peter Lambert,
my accomplice in crime,
the editor of New Moon.
PETER LAMBERT.: Hello.
WEITZ.: That was the Summit logo, delightful.
Now, part of the reason that...
Okay, here's a moon.
(LAMBERT LAUGHING)
Now, the reason that we started this way
was because I felt that in the theaters,
there would be nothing but screaming
for about the first 30 seconds of the movie.
And so, interesting point, actually,
this is the proper way that a moon phases,
from right to left,
in the northern hemisphere,
and I know this because
I was at a science and film conference
in which someone complained that
they'd gotten it wrong in every film ever.
Ironically, though, it reads like
a palindrome, Noom Wen, not New Moon.
LAMBERT.: This actually took the DP
an entire month to film.
He had to stand very still with the camera
pointing at the sky all that time.
(WEITZ LAUGHING)
It's not actually true.
WEITZ.: Okay, so then in pops the sun.
Here comes Bella,
and this is like in the book
where she is seeing the clock at 12.:00.
It's her worst nightmare.
Yes, and then we use
that red flag as what we call a wipe
to transition us into the meadow.
Now here we are in the meadow,
and those things on the right
are called god rays by the CGI people.
-LAMBERT.: They're beautiful.
-They're beautiful, but they're not real.
More god rays.
We see Gran in the distance out of focus.
LAMBERT.: I remember we talked about how
there was Team Jacob and Team Edward.
I always wanted to mount a campaign
for Team Gran, based on this scene,
for the more mature
gentlemen Twilight fans.
They could go to conventions
and support Team Gran.
WEITZ.: It was a demographic
we were trying to hit desperately.
I'm not sure that we've managed to do that.
LAMBERT.: (LAUGHING) Hit them hard
at the start of the movie.
WEITZ.: Okay,
first diamond shot of the movie.
Pretty good, I think,
as far as our diamond shots go.
Some are