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thing was Beaver
and Wally would fly it.
That was one incarnation.
You get the idea we were
a little fixated on that show.
It was kinda primal.
Getting the horse on the bed
was a big deal.
That's amazing they did that.
And he raised his head
at the right time.
Here's an old Dodger reference.
Now owned by Fox
so you'll have to cut this.
It didn't come off, that's right!
See that guy in the background?
It was supposed to come off.
We took so much time to test it so
it would come off when the wind blew
and that was the joke
and it didn't work.
That's Jonathan Banks, the villain
in the "Beverly Hills Cop" movies.
This was another of the 25 jokes
that couldn't work.
Every time we want Stack off stage
he said "Got a cigarette, Niles?"
In fact there was no Niles at all.
That was a reference
to "Zero Hour"...
- There's Len Mooy.
- Look out, another pun.
When we had our theatre
on Pico Boulevard
this fellow, Stephen Stucker,
was in our group with us.
We called him up with the straight
lines and he supplied the punchlines,
- that's what you see.
- He could write for himself.
Now, this is...
The last picture
is Howard's grandson.
Howard Koch's...
Howard W Koch's grandson.
- Billy Koch...
- Now a grandfather himself.
You had to correct yourself
because Howard always wanted
to be Howard W Koch -
not to be confused with a communist,
Howard Koch who wrote Casablanca.
- Was that why?
- Yeah.
That's a big deal in that family
because Howard Koch Jr now is Hawk.
They're big on their names.
- Here's an old reference.
- Yeah.
In 60 Minutes there used to be
a debate called... Point-Counterpoint.
Didn't we use those two
in Kentucky Fried Movie?
- This is our lead drug joke.
- They probably tried to cut this.
Did we have to alter the film
when it was rated R?
Yeah, we had to cut something.
But that was PG, huh?
Back at the end of the '70s
it wasn't the deal it is today.
Yeah.
This is the first thing we shot
on the first day.
That shot of Leslie walking out.
That's when they got
what this was about.
Paramount didn't understand
the movie until then...
- There's Jim again.
- Vomiting.
Nobody could do it as well as Jim.
The Rumacks were our next-door
neighbours in Milwaukee.
You'd never know it, but at Paramount
they were always known as "The Boys."
Everybody at Paramount
called them "The Boys."
We're not supposed
to sit here and laugh!
I always loved that joke!
Worked like a charm every time.
- It was a great joke.
- It was.
- "26 and not married."
- Nicely staged.
Just like how Bartlett staged it
in "Zero Hour".
We did a few shots on our own.
What war did we think this was?
His memories... of the war.
That was the war.
This was Charlie Bluton's
favourite scene.
And Charlie Bluton was?
He was head of Gulf and Western
at the time.
Along with about 20 other companies.
- And sugar plantations.
- Yeah.
They said Charlie Bluton
used to make more money
just on the phone trading sugar
futures than all of Paramount.
And each morning he'd call
Eisner and Diller and tell them.
- Did you ever meet him?
- Yeah.
- Kidding.
- Was that a lead-in?
Tell a story,
nothing else is going on.
We were in Deauville, I think,
doing press, after the movie opened,
and I think at that time
Paramount wanted us to sign...
they'd neglected to make
a multi-picture deal with us,
so they wanted to sign us up
for another picture.
And I think we were holding out
for more money
and so we went out
for lunch in Deauville
with Barry Diller, Michael Eisner,
I think Katzenberg was there
and Bluton.
- They brought us to meet Blewdorn.
- Henry Kissinger was onboard.
And we met Charlie.
No, I think we met him, we said...
we want... he said "Why haven't you
signed up yet for another picture?"
And I think we said immediately,
"We don't wanna deal
with these middlemen,"
referring to Eisner and Diller.
And he laughed,
he thought that was great.
Then we
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