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Амадей

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to help you.
And all you do is drink
and talk nonsense, and frighten me.
Go to bed!
Please.
Let me sit here.
Let me stay here with you.
I did it!
And I was proud to do it.
Leave, I said!
Right away!
And take the child with you!
Here's the money! Go to the spa. . .
. . .and get your health back.
I was shocked. . .
. . .shocked to my foundation
when I saw her.
I couldn't believe my eyes,
poor little thing.
You monster!
No one exists but you, do they?
You and your music.
I warned her.
""Choose a man, not a baby,"" I said.
You marry him,
you won't have a pot to piss in.
You selfish thing!
Selfish, that's what you are.
Selfish.
Simply selfish!
Do you hear me?
Pick him up.
Be careful!
Come with me!
You! Follow me.
-Is it over?
-Yes, it's over. It's over.
Go!
Go! Go!
Go! Go!
Where is your wife?
Where is your wife?
She's not well either.
She went to the spa.
You are so good to me.
Truly.
Thank you.
Please!
No, I mean, to come to my opera.
You are the only colleague
of mine who came.
I would never miss anything
you had written.
It's just a vaudeville.
It's a sublime piece.
The grandest operone!
I tell you. . .
. . .you are the greatest
composer known to me.
Do you mean it?
-It's him!
-Who?
The man.
He's here.
Tell him to go away.
Tell him I'm still working on it.
Don't let him in.
Wait!
Ask him if he would
give me some money now.
Tell him it will help me finish.
-Can we come in?
-Better not.
He's sleeping.
He's all right?
Yes, he's just exhausted.
He became dizzy.
That's all.
Tell him we came by, won't you?
Of course.
Give him this.
That's his share.
-That should cheer him up.
-Indeed!
And now good night to you all.
It was. . .
. . .perfection. Truly!
Thank you.
What happened?
He said to give you this.
And if you finish by tomorrow. . .
. . .he'll pay 1 00 ducats more.
That's too soon!
Tomorrow night. . . .
It's impossible!
Did he say 1 00?
It's too soon!
Could I help you?
Would you?
Actually, you could.
-I want to go!
-Where?
Back to Vienna.
Now?
-Yes.
-Why?
I feel wrong.
I feel wrong being here.
Where did I stop?
The end of the Recordare.
So. Now, confutatis...
. . .when the wicked are confounded.
How would you translate that?
""Consigned to flames of woe. ""
You believe in it?
A fire which never dies,
burning you forever.
Yes.
Is it possible?
Let's begin.
We ended in F-major.
So now. . .
. . .A-minor.
Confutatis. A-minor.
Start with voices.
Basses first.
Second beat of the first--
Time? Time?
Common time.
Second beat of the first measure.
On ""A. ""
Second measure, second beat.
-You see?
-Yes. D-sharp?
Of course.
Second beat of the
third measure, on ""E. ""
Do you have me? Show me!
Good.
Now the tenors.
Fourth beat of the first measure.
On ""C. ""
Second measure.
Fourth beat. ""D. ""
Yes, continue!
Second beat of the
fourth measure, on ""F. ""
Now the orchestra. Second bassoon
and bass trombones with the basses.
Identical notes and rhythm.
First bassoon, tenor trombones,
with the tenors.
You go too fast.
-Too fast!
-Do you have it?
-Trombone with what?
-Tenors.
-Identical?
-The instruments doubling the voices!
Trumpets and timpani.
Trumpets in ""D. ""
Listen!
Trumpets in ""D,"" tonic and dominant.
First and third beats.
It goes with the harmony!
Yes, I understand.
Yes! And that's all?
No. Now for the real fire.
Strings in unison.
Ostinato on ""A. ""
Like this!
Next measure is rising.
Do you have it?
Show me!
-Wonderful!
-Yes. Yes. Go on.
Write that down!
Call me among the blessed.
""C"" major.
Sopranos and altos in thirds.
Altos on ""C,""
sopranos above.
Sopranos up to ""F"" on the second voca ?
And on dictus !
And underneath, just violins.
Arpeggios.
Descending scale in eighth notes,
then back to the ostinato.
That's it. You have it?
You go too fast.
One moment, please!
One moment!
Good! Show me!
The whole thing!
From the beginning!
Want
Амадей Амадей

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