for Ozu. From the battlefield, this world beyond life and death, Ozu brought back this ''nothingness. '' After returning toJapan, Ozu went back to making films that continued to revolve around the themes of parents and children, family and aging parents. In 1941, he made Brothers and Sisters of the Toda Family. Brother, why were mother and Setsuko sent to live at Kugenuma? No special reason. Why can't they live with you? They did at first. Then what happened? They moved to your sister's. And then what? - Well, they moved to my house. - And then? She moved out on her own. I don't believe it. Shojiro, I acted on my own. You keep out of this. Even if she wanted to, you shouldn't have let her. You yourself said the Kugenuma house was worthless. You remember that. You knew it was too old to live in. When I came back, I was really surprised to see my mother and sister sent there. With all of these brothers and sisters, I had thought she'd be well cared for. But a lot of things happened. Like what? You weren't there, so - That's not the point. It's your attitude. Now that father's gone, don't tell me our mother is in the way. What do you say to that? I didn't know about this. I wasn't worried about leaving. I thought you were better than this. I should have taken care of them myself. I could easily have done that. But it wasn't possible. Children ought to look after their parents. She gave birth to you, and yet you couldn't even take care of her. And it wasn't even a long time. Just one year. How can we commemorate our father's death now? He wouldn't be happy to hear this. You're all selfish. Ayako, why couldn't Mother live with you? She decided to move before I could ask her. Why didn't you insist that she move to your place? You should have. We planned to, but - Planning isn't enough. - But - - But what? Speak up. All you ever do is talk. What matters is your sincerity. - How rude! - How am I rude? Why don't you leave? Go on. Ayako, come here. Sit down. You go with him. What a pair. Think about what I said. How about you, sister? - I'll go, too. Good-bye, then. I won't see you off. My best to your son. What do you think? Am I wrong? Then you might as well leave, too. Go on. Good-bye. Don't forget to pay the bill. After making Brothers and Sisters of the Toda Family and There Was a Father, Ozu wrote two scripts with Ryosuke Saito based on wartime diaries. The army complained that they weren't glorious battlefield epics. Ozu abandoned the project, saying, ''I have no interest in anything like that. '' In 1943, there was talk of a documentary on India's independence movement. But with the war getting worse, they waited in Singapore. The war ended shortly, and the project was dropped. So the war ended while you were still in Singapore? RYOSUKE SAITO - SCREENWRITER Did you two see a lot of films then? Gone with the Wind, Fantasia, or Citizen Kane, for example? Yes, and John Ford's films, too. How Green Was My Valley. William Wyler's films, too. We were seeing those films for the first time, like The Heiress. We liked them very much. Was it very difficult waiting and living there during the war? Not too difficult. There was enough food. There weren't many air raids. And if there were, they targeted military installations. It wasn't that bad. But as civilians, you were not allowed to leave Singapore. I heard about what happened in Singapore, and there was one thing that really impressed me. When theJapanese were being repatriated, everyone wanted to get home as soon as possible. Ozu, as a film director, had the right to go first. He was someone important, he and his crew. But Ozu said, ''I can wait.'' That's ------------------------------ Читайте также: - текст Гарфилд: История двух кошечек на английском - текст Великая война демонов на английском - текст О прошлой ночи... на английском - текст Багдадский вор на английском - текст Хорнблауэр: Герцогиня и дьявол на английском |