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Finally, he's been given
the script from Alexander Rjechevsky
about the murder of pioneer
Pavel Marozov
by his own father,
enemy of collectivism.
Sergei Eisenstein
began working with passion.
This drama was for him
the expression of a tragic
and fundamental conflict:
the brutal struggle
between the old and
reactionary country,
stuck to the past,
and the new soviet
and socialist country.
Through the image of
Stepok's father,
tousled and fearsome,
surrounded by old shrews,
he saw the old Russia,
whereas the new Russia
was embodied in the image
of pioneer Stepok,
illuminated by the
sun of future,
supported by the communists
and the komsomols
of the new soviet country.
The scene where the church
is converted into a club
should have been the climax.
The religious feeling
embodied in famous compositions
such as the Crucifixion,
the Deposition,
Samson destroying the temple
above his head,
was opposed to the new momentum
of collective action,
popular, gay and
full of energy.
A first rough cut
of the film was screened
without Eisenstein,
who was seriously ill.
The reception was very negative.
As he wanted to answer to
these critics as an artist,
Eisenstein went back to work.
With the novelist lsaac Babel,
he rewrote the script,
replaced the performer
of the father character
and a few other players.
He changed the church sequence,
which has been the
most criticized,
by a dynamic sequence
of fight against the burning
of the kolkhoz
kindled by the koulaks.
But Eisenstein wasn't able
to finish this version.
The shooting was interrupted..
The only print of the film
has burned while
Mosfilm was bombed
during the war.
The only retrieved elements
are these pieces of film
and a few photos
that have been used
for this restoration.
Dedicated to the memory of
Pera Atasheva,
who preserved the material
on which this film is based,
Bezhin Meadow
Sergei Eisenstein
From a scenario by
Alexander Rzheshevsky
Camera
Eduard Tisse
Stepok
Vitya Kartashov
His father
Boris Zakhava
Kolkhoz chairman
Elizabeta Telesheva
Stepok mourns his mother,
beaten to death by his own father.
"How come your father
always beat her?"'
"Because she understood me."
In the morning, Stepok's father
drinks with his friends.
"Ruined by my own son."
"we thought you slept, unaware
of what we said here..."
"but you went and
reported everything!"
"when God created the heavens,
the waters and the earth..."
"and people like you and me,
dear son, He said:"
"Be fruitful and multiply...
but if a son betrays his father..."
"...kill him like a dog."
"You wanted to burn the grain
and destroy the kolkhoz?"'
"I didn't help set the fire...
I'm a poor man."
"And I'm royalty?"'
The kolkhoz chairman comes
for Stepok's baby sister.
"But the child is mine!"
"we still have to ask her
about that!"
"Farewell, son. Perhaps
we shall meet again."
The kulaks set fire
to the fuel depot.
"There are pigeons in there!"
The farmers surround the church
where the kulaks have hidden.
"Oh, Lord, what have God-fearing
people come to?"'
"The God-fearing people are
all long gone!"
The kulaks reach the highway.
"They ought to be in a museum!"
"They would like to
bring back the Tsar!"
"They say it has already happened."
Everyone decides to turn the
church into a clubhouse.
"Can't I just take
this little icon?"'
"l can't allow it."
"Not even one little
piece of trash..."
At night the boys tend the
horses and guard the harvest.
The kulaks murder their guards
and escape into the woods.
Stepok's father also escapes.
"when God created the heavens,
the waters and the earth..."
"and people like you and me,
dear son, He said:"
"Be fruitful and multiply...
but if a son betrays his father..."
"...kill him."
"Father..."
The boys lead a doctor to
the dying Stepok.
Restoration credits:
USSR People's Artist
Sergei Yutkevitch
Naum Kleiman
Editor
Klavdiya Alyeva
Sound
Boris Volsky
Бежин луг Бежин луг

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Читайте также:
- текст Ночь страха на английском
- текст Серые волки на английском
- текст Звезда пленительного счастья на английском
- текст Чапаев на английском
- текст Обыкновенный фашизм на английском

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