STORY OF THE PAINTINGS
THAN WE WERE BEING TOLD.
SAID I SHOULD LOOK
UP THIS GUY, SEFCHEK.
YOU TRIED TRACING THE CALL?
'COURSE.
WELL, HE MUST HAVE
KNOWN BEFOREHAND
BECAUSE HE KEPT BOUNCING THE
SIGNAL ALL ACROSS THE COUNTRY.
WELL, SOUNDS LIKE THIS GUY'S
KINDA GOT YOU FREAKED OUT.
WELL, I...
I DON'T KNOW WHAT TO THINK.
I MEAN, HE SAID HE WAS A FRIEND.
HE SPOKE LIKE HE KNEW ME.
DON'T WORRY.
NEXT TIME THIS GUY CALLS
WE'LL BE THE ONES MESSING
WITH HIS HEAD.
THAT COULD BE YOU.
WHAT? YOU WERE
EXPECTING ME?
I KNEW YOU COULDN'T STAY AWAY.
OH.
SO, YOU LIKE IT?
YEAH.
WHO'S THE ARTIST?
ME.
IT'S AN EARLY PIECE,
BUT IT LACKS IN COURAGE.
IT'S FUNNY, I NEVER TOOK
YOU TO BE THE MODEST TYPE.
ONLY WHEN IT COMES TO...
MY ART.
LET'S JUST KEEP THIS BUSINESS.
I'M LISTENING.
YOU HAVE ONE PAINTING.
I HAVE ONE.
THIRD ONE'S STILL UP FOR GRABS.
AND YOUR POINT IS?
DOESN'T TAKE A ROCKET SCIENTIST
TO REALIZE THE REAL DEAL HERE,
IS BY DELIVERING UP
THE COMPLETE SET.
YEAH, WELL, MY BUYER IS
WILLING TO PAY NORTH OF...
FIVE MILLION.
I WANT IN.
[SNIFFS] AND JUST...
WHY WOULD I DO THAT?
BECAUSE YOU'LL NEVER GET
YOUR HANDS ON THE COMPLETE
SET WITHOUT ME.
LET'S DO IT.
GOOD.
OH - BUT FIRST - I WANT TO SEE
YOUR PAINTING.
JUST TO VERIFY IT.
OKAY.
YOU SHOW ME YOURS,
I'LL SHOW YOU MINE.
[ALARM]
BRENNAN!
COME HERE.
IT'S HIM.
HELLO, SHALIMAR.
WHAT DID YOU FIND OUT
ABOUT THE LEAD I GAVE YOU?
HE'S THE CHEMICAL
ENGINEER SPECIALISING
IN ENVIRONMENTAL RESEARCH.
EXACTLY.
AND THE PAINTING?
WHAT DID YOU GET FROM THE SCANS?
WELL, WE'RE NOT SURE YET.
THE PAINTINGS ARE THE
KEY TO THE WHOLE PUZZLE.
IT'S IMPERATIVE WE FIND
OUT WHAT THEY'RE HIDING.
LOOK, WHY DON'T YOU JUST TELL
ME WHAT THIS IS ALL ABOUT?
WHY DON'T YOU ASK BRENNAN?
I'M SURE HE'S FULL
OF BRIGHT IDEAS.
WHAT THE HELL?
HE'S IN OUR SYSTEM.
WHAT'D HE GET?
HE'S TRYING TO ACCESS
THE SCAN OF THE PAINTING.
I HAVE NO IDEA HOW MUCH OF THE
FILE HE WAS ABLE TO DOWNLOAD.
HOW THE HELL DID HE GET INTO
OUR SYSTEM IN THE FIRST PLACE?
HOW DOES HE KNOW
SO MUCH ABOUT US?
DAMMIT.
TELL ME THAT WE ARE NOT JUST
GOING TO HAND THIS PAINTING OVER
TO HIM.
[SIGHS] IT'LL NEVER
LEAVE MY SIGHT, OKAY?
AND ONCE I GET IN THERE, I CAN
GET A LOOK AT HIS PAINTING.
THAT WAY, I CAN GET
INFORMATION FROM BOTH.
YEAH, BUT ONCE HE GETS HIS
HANDS ON OUR PAINTING,
HE'S NOT GOING TO
NEED YOU ANYMORE.
I TOLD YOU I
CAN HANDLE THIS.
I HEARD YOU.
LOOK, I'M COMING
ALONG THIS TIME.
NO ARGUMENTS.
[PLAYBACK]
THE PAINTINGS ARE THE
KEY TO THE WHOLE PUZZLE.
NOW REMOVE THE VOCAL PATTERN.
SEE WHAT ELSE WE CAN HEAR.
[BACKGROUND NOISE]
WHAT IS THAT?
SOUNDS LIKE THE CALL
CAME FROM A RESTAURANT.
YOU NARROW IT DOWN
A LITTLE FURTHER?
TRYING.
[VOICE]
CHINA KITCHEN, PLEASE HOLD.
NICE.
SOUNDS LIKE OUR SECRET ADMIRER
HAS A PENCHANT FOR CHINESE FOOD.
YOU IN THE MOOD FOR TAKEOUT?
NOT THE KIND OF
PARTY I HAD IN MIND.
THIS IS JESSE.
HE'S MY BACKUP.
COME WITH ME.
I HAVE A DIGITAL
SCANNER IN THE BACK.
WE COULD VERIFY
MY PAINTING FIRST.
IF YOU LIKE.
HERE WE GO.
BE MY GUEST.
NOW YOUR TURN.
SO IT'S TRUE.
WHAT WE HAVE REPRESENTS
TWO-THIRDS OF THE PUZZLE.
SO WHEN DO WE MOVE
ON THE LAST PAINTING?
"WE" DON'T MOVE ON ANYTHING.
I'M WORKING HERE
WITH LEXA -- ALONE.
DON'T NEED ANY
MORE BAGGAGE.
LISTEN, BUDDY...
HEY, JESSE...
JESS?
JUST TAKE THE PAINTING.
I'LL CONTACT YOU WHEN
WE'RE READY TO MOVE, OKAY?
YEAH.
UH, DON'T WORRY, JESS.
I'LL BE GENTLE WITH HER.
OH, WHAT DID YOU THINK, SHAL,
THAT HE WAS JUST GOING
TO SIT AROUND AND WAIT UNTIL
HE GOT THE ITCH TO CALL AGAIN?
I DON'T KNOW.
I GUESS I WAS HOPING I'D
AT LEAST FIND SOME CLUE TO
HIS IDENTITY.
[PAYPHONE RINGS]
HELLO?
YOU'VE MANAGED TO GET CLOSE.
WHERE ARE YOU?
HE MUST BE WATCHING US.
ARE YOU ANY CLOSER TO
RECOVERING THE OTHER
TWO PAINTINGS?
WE'RE WORKING ON IT.
THE INFORMATION CAN'T
GET INTO THE WRONG HANDS.
WHAT

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