nothing wrong.
Get me?
All right,
down on the ground!
Do it! Now!
Get over there!
Don't worry about it, fellows.
We'll be out of your face
in no time.
You know, some of you guys
got some cute little asses.
Be a real shame
if I had to blow them off!
Stay down!
Oh, shit!
All right!
Son-of-a-bitch!
Come on, man,
let's get out of here!
Come on!
(FRANTICALLY CHATTERING)
(EXPLOSION)
Go! Go!
Shut the hell up!
McCoy, pull out
in a back alley,
we're gonna dump the bus.
First he dumps the car,
now he's dumping the bus?
Code 00! Code 00.
Blockade at Cross and Ardmore.
Suspects armed and dangerous!
Repeat, armed and dangerous!
Broke blockade!
Heading north on Ardmore.
Cannot pursue. Do you copy?
God damn it,
this is the blockade
at Ardmore, come back to me.
Come on.
(SIRENS WAILING)
(EXCLAIMING)
Come on! Come on!
We had a $1 ,000 in that bus!
I lost my clothes,
the luggage is gone,
all the sheet music is gone!
This is great.
We're on our way
to the Richmond.
No bus, no nothing.
You shouldn't have stopped,
Bird.
He ain't a real
social kind of guy, is he?
Really? Gee, I think
he's a real sweetheart.
Cut him some slack, will you?
He was there for you tonight.
Yeah, he really
earned his money.
You know, you got
a real funny way
of saying thanks
when someone saves your ass.
Why don't you go sit
with your pal Billy
over there.
I guess he's more
your kind of guy.
Yeah, I think maybe I will.
Don't worry, babe,
everything's gonna be okay
from now on.
We're gonna be great.
Hey, Reva, Ellen Aim's back.
And guess what?
Tom's with her.
Is he okay?
Oh, he looked
all right to me.
Chief?
(PEOPLE CHATTERING)
Tom.
Reva, cut it out. We made it.
Everybody's in one piece.
What about that, Ellen?
You okay?
Yeah, I'm all right, I guess.
No, she's not.
She's tired, and she's
been roughed up.
I'm gonna take her back
to the hotel so she can
get some rest.
This whole thing started
'cause I had to do
a gig in this shit hole.
I should've stayed
the hell away
from this dump!
Is that the way
you feel about it, Ellen?
Yeah, I guess I just wanna
get away from here.
Get back on the road.
Now you're talking, kiddo.
Come on,
let's get out of here.
I hate you for taking money
to come and get me.
That's telling him, Ellen.
(PEOPLE CHEERING)
I guess she doesn't like
you much, Cody. She doesn't
seem real thankful.
Yeah, one thing
about you, Cooley,
you catch on real quick.
Yeah, that's right, Buddy,
and I get the job done.
Good. Because I think
it's just starting.
(ENGINE REVVING)
What the hell
does he wanna talk about?
Tom Cody.
I want Tom Cody.
I wanna nail
that son-of-a-bitch's
head to the sidewalk
under that marquee
that says Ellen Aim on it?
And just to prove to you,
I'm gonna be a nice guy,
I'm coming in
with just two of my men.
After I take care of Cody,
there'll be no more trouble.
You do your job, man.
Keep the peace.
(THUNDER RUMBLING)
Hey, Cody,
I need a drink. Come on,
let's get out of here.
Maybe I can get lucky
and pick a fight
with that bartender.
No, not this time.
Hey, McCoy,
look, I'll get you
your money later, okay?
Is that all you got to say
is, "I'll get your money
to you later."
Yeah, that's all I gotta say.
What else do you wanna hear?
Hey, look,
I did real good back there.
So what?
I'm all out of medals,
besides you're getting paid.
You know, Reva,
Ellen Aim was right
about one thing,
your brother's a jerk.
What's your problem?
You're feeling pretty
sorry for yourself...
Don't start on me, Reva.
She comes back to town,
tells you and everybody else
it doesn't mean a goddamn...
Yeah and the worst part
is she runs off
with that creep Billy Fish.
You know, Tom,
I didn't ask you to go out
and get Ellen Aim
because she looks great
on stage.
Well, what the hell
do you care...
I care about you!
And this town!
Look, if you're gonna fight,
you're supposed to fight
for something.