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accomplice.
Such a Iong time.... What is that odour?
Odour?
A curious odour.
Have you been in Saint Petersburg Iong?
Yes, for one hour.
-And you came straight here?
-I had my reasons.
You must Iove art!
Are you interested in beauty
or just its representation?
No, Marquis. We're here to rest.
"Marquis"?
How do you rest?
Today, we've come together.
It smells of formaldehyde.
Formaldehyde.
Marquis, I'II show you a splendid painting.
These men are emitting
a very strange odour.
Marquis, Iook at
The Birth of John the Baptist.
The Marquis smells of formaldehyde.
Is he alive?
No, it's you.
I know this painting.
I saw it on my Iast visit here.
It comes from Paris,
from the Crozat collection.
Catherine II acquired it in 1772.
One of the earliest pieces
of the Hermitage collection.
Such information is for specialists.
For us, detail is more interesting.
Look closely here.
A chicken and a cat are in the foreground.
They are symbolic figures.
The chicken represents greed, avarice...
the cat, cynicism and cruelty.
Cynicism and cruelty.... The cat....
They are both calmed by the birth of John.
How interesting.
Why is he dressed Iike that?
CIeopatra, for example....
What do you know of her?
Massimo Stanzione....
CIeopatra is on the same wall...
as The Circumcision of Christ
by the pious Lodovico Cardi.
-What bothers you?
-Bothers me?
Right next to Saint Cecilia?
Can you imagine!
By Carlo Dolci!
And next to Eastern Still Life!
-Why does that bother you?
-Don't argue, OIeg.
As a Catholic, that shocks me.
What do you think of Wagner?
Who is Wagner?
OIeg, he doesn't know Wagner!
Wagner is that child who behaved badly...
with my best friend, Meyerbeer.
I have never Iistened to Wagner.
-Broaden your horizons!
-That doctor is so insistent!
-But I'm not sick!
-We wish you much success.
Sir, why are they badly dressed?
My friends, how could I think...
that you would get along so badly?
I'll tell you one day.
I'm in a strange situation.
Why quarrel with everyone?
If you do, we will never discover
why we are here.
Such clothing kills
a man's creative essence!
Why do you find it necessary
to embrace European culture?
For what reason?
Why borrow also Europe's mistakes?
My God! What is all this?
Mother!
Canova!
What an elevated approach to art!
What feel for the material!
How wonderful!
He is a true heir to the masters of antiquity!
Canova almost married my mother.
Was your mother a sculptress?
Yes. In Rome.
In Rome? Your mother, a sculptress....
In this Canova collection,
there are even sculptures...
that Tsar AIexander bought from the wife....
Of Napoleon?
Yes.
It was 1815, I was at the Congress of Vienna.
What were you doing there?
-I was a diplomat.
-A diplomat?
This collection was the object
of a harsh dispute.
Look where we are now!
Is this a dream?
Maybe, maybe.
I don't know about you, but I'm wide awake!
It's amazing how well I speak Russian!
Yes, quite well.
Who was that small man?
Wasn't that Pushkin?
-Good day.
-Good day.
Is that your great poet? Your beloved one?
I read him in French. Nothing special.
Sir.
My God, how touchy you are!
Pardon me!
I'm sorry if I've offended
your nationalist sympathy.
What is that, nationalist sympathy?
What's that there?
-Please....
-Who is that?
Please don't rush.
AII alone, without an escort?
It would be wiser not to talk to that lady.
Don't bother her.
Let's move along.
Excuse me, madam,
have you Iost your guide?
Thank you for your concern.
I know everything here.
Of course. Do you work here?
Not at all. I'm here to admire the works
of the old masters.
Would you accompany me
into the next salon?
To see the FIemish masters?
With pleasure. Your slender fingers see all.
-140 paces, straight ahead.
-140, is that so?
How many are Ieft?
Watch your step.
-One cannot be so intrusive, I told you.
-It's not the right time for this.
It's all your fault.
-You are compromising
Русский ковчег Русский ковчег

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