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obviously wouldn't approach you
in this state...
...were I not so...
...unusually...
...intrigued.
Well.
There.
I bared my soul to you.
May I?
[KNOCKING]
JUNE: Why are you doing this?
PAUL: What?
You flirt with me...
...you share your cigarette with me...
...you dance with me.
You're nice to me.
Why are you doing this?
I want...
...to live.
- Okay, sorry, folks. Closing up.
- I just...
- Time to go home.
...want...
...to live.
Live.
Come downstairs with me, Paul.
Come on.
[BANGING]
- They got in!
- What is it?
I have to tell you, I'm in big trouble.
Those people up there wanna kill me.
- Is there a way out?
- No!
- Is there a way out?
- No!
- What is this?
- No, don't go in there!
- Oh, what's this?
- No, don't touch that!
No, don't touch that vat!
Oh, God.
[PAUL GROANING]
- Come with me, Paul.
- What?
Come with me. Come on.
You're closed, you wanna go home.
It's only gonna take a minute.
- I'm telling you no one's in here.
- You cannot reason with this man.
Don't move, I don't wanna
stick you with this stuff. Okay.
I just gotta put this piece here.
GAIL:
Hold up! No! Hold up!
Do you at all sense the pressure here?
This is very good for the pores.
GAIL:
Come on, it's a total search!
All right.
Good. No, no, no.
Now, pick this up.
BARTENDER: Hey.
- Where's this lead to?
No. It's a private apartment.
- Fine. Knock on the door.
- Wait, wait.
I'll knock.
- June. June?
- Yeah, what is it?
BARTENDER: Sorry. Some people
wanna look around your place.
- Something about a robbery.
- I'm working! Can't you see that?
BARTENDER: I'm sorry...
GAIL: Tough titty.
Excuse me.
Excuse me. Have you seen this guy?
Doesn't look so hard.
- Is there another way out of here?
- No. That's it.
GAIL:
All right, we're moving out!
Come on.
Look, we're sorry we disturbed you,
lady, but we were sure that...
Okay, let's boot it!
Wasting time here.
JUNE:
It's okay. They're gone.
PAUL:
Great. Great.
Okay, will you let me
out of this thing now?
JUNE: No, you're safe like this.
They could still come back.
PAUL: Look, lady, you've been great.
Terrific. But can you let me out of here...?
JUNE: Listen, you know,
I'm involved in this too now.
I gotta keep working on you.
They could still come back.
PAUL:
Lady, let me out of this thing. Now.
- Do you hear me? Let me out...
- Shh! Shh!
Okay, that's it.
I just wanna go upstairs
and check if they're still there.
Be right back.
[CLANGING]
Didn't I tell you, man?
Check it out.
- Check it out.
- Man, this is junk.
What are you talking about?
This is antiques, man. This is old.
It's plastic. Let's call it a night, man.
We got enough stuff already.
[SPEAKS IN SPANISH]
It's my sculpture!
Hey, man, be careful with it. All right.
NEIL:
Man, is it worth taking this thing?
PEPE:
What, are you crazy, man? This is art.
Art sure is ugly, man.
Yeah, that's how much you know.
The uglier the art, the more it's worth.
NEIL: This must be worth a fortune.
- That's right.
- It's by that famous guy, Segal.
- Yeah?
You see him on the Carson Show.
Plays the banjo all the time.
I never watch Carson.
Yeah, well, that's how much
you know about art.
I don't know, man.
I'd take a stereo any day.
Yeah, what do you know, man?
A stereo's a stereo. Art is forever.
Subtitles by
SDI Media Group
[ENGLISH SDH]- Punch. Punch it in.
- Okay. Right.
Okay. Let's... First of all,
refresh the screen here...
...all right, and go in a format ruler.
- There.
- All right.
- Now, file?
- Right.
- And it's in memory?
- Right.
And...
...mark this down
in the prefix file codes.
- Prefix code. Right.
- Okay.
Good. Yeah, you got it.
Another week, you'll have it down.
It's temporary anyway.
I said, it's temporary anyway.
I do not intend to be stuck doing this
for the rest of my life.
- Don't tell Mr. Digman I said that.
- Okay.
Because what I really wanna do is,
I'd really like to get into publishing.
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