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I remember.
- How are you?
- All right. I'm all right.
I just got in...
...and I opened up my book
and saw your number and...
Good.
I'm glad you called.
So...
So do you work near that coffee shop
or live in the neighborhood or...?
No, I was just over
at a good friend of mine's.
Actually, we had a terrible argument.
That's too bad.
Yeah, it is.
I'm sure, whatever it was,
I'm sure you'll straighten it out.
You think so?
Do you think I should try to make up?
Well, I don't know, I mean...
You know... Maybe you're better off.
You know, I don't know what the
circumstances were, but sometimes...
You know, I don't... It's not even...
It's not my business.
- Maybe you should come over, Paul.
- What?
- Maybe you should come on over.
- Sure. Sure. Now?
Yeah. Why not?
Where to?
I'm at 28 Howard Street.
Near the corner of Crosby.
It's in SoHo.
- The name on the buzzer is Franklin.
- Not Bridges?
Bridges is crossed out.
Just press the buzzer.
Okay. About 45 minutes?
- Yeah, great. I'll see you later.
- All right.
- Paul?
- Yes.
I'm really glad you called.
Me too. Me too.
Okay. I'll see you later.
- Bye.
- Bye.
- I've only got a 20. Can you break it?
MAN: Yeah, sure. No problem.
No hurry.
[TIRES SCREECHING]
[HONKING]
[CUADRO FLAMENCO'S
"EN LA CUEVA" PLAYS]
PAUL:
Oh, shit!
Excuse me, I just...
Damn! Oh, my God!
Excuse me.
My money flew out the window.
DRIVER:
Okay, that'll be 6.50.
PAUL: Listen, my money
just flew out the window.
I put it in this cradle...
...and you went so fast around
that corner that I don't have any...
What I'm saying is, I don't have
any money. I'm really sorry.
Look, let me show you something.
Look, that was... I had $20.
And now I don't have any more.
I'm really sorry.
Franklin. Franklin.
Franklin.
Franklin.
- Are you Paul?
- Yeah.
Here, catch.
[THUNDERING]
[PIANO PLAYS]
PAUL: Hi.
KIKl: Hi.
- Your keys.
- You can just put them on the table.
PAUL:
I like that.
- Do you?
- Yeah. Very much.
It reminds me of that
Edvard Munch painting.
What's it, The Shriek?
- The Scream.
- The Scream. Right.
Yeah.
Sort of like a three-dimensional version
of that painting.
Is Marcy here?
She had to go out
to the all-night drugstore.
- Is she all right?
- It's under control.
PAUL:
This place is huge.
Do you share it with anyone?
KIKl: Hey, would you like to
work on this for a while?
- I could use a break.
- What?
It's not hard.
What are you talking about?
This is yours.
- How would I know what you want?
- Look, it's real easy.
Just take some of this stuff
and slap it on like this.
[PHONE RINGING]
KIKl:
All right, I'm coming.
Yeah?
Of course he's here.
You invited him.
That's your problem, Marcy.
I'm not gonna tell him.
I'm not telling him.
I can't talk any louder.
All right, hurry up.
- How's it going?
- It's great.
I'm just giving him a shoulder.
Look what you did to your shirt.
Oh, good.
- Give it to me, I'll throw it in the wash.
- No, that's all right.
It'll only take 20 minutes.
That's okay.
Come on.
You wanna look nice
for your big date, don't you?
All right.
- Twenty minutes, huh?
- Uh-huh.
- Put this on while you're waiting.
- Thanks.
You do that all day
and your own shoulders get pretty sore.
Want a massage?
- You read my mind. Would you?
- Sure.
I'm not too good at this.
Just know a few basic moves.
Just make it hurt
and you're on the right track.
That's all I know.
Okay.
- You have a great body.
- Yes.
Not a lot of scars.
That's true.
Never occurred to me.
I mean, some women I know
are covered with them head to toe.
Not me.
- Scars?
- Uh-huh.
Horrible, ugly scars.
I'm just telling you, now.
I don't know.
I know, when I was a kid...
...I had to have my tonsils taken out.
And
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