's yourfriend, right?
Where is this guy in the photo?
This is the guy we want,
not somefucking model.
Where-where is he?
Jack Hawk?
Cabin up north, 80 miles.
ROBERT: Does he have a phone?
MAN: No phone, no radio.
He'll likely be out hunting.
ROBERT: Well, then we'll just
go andfind him. Let's go.
Seems you can make a compass
out of a needle.
My God. That's a new one on me.
You spend much time
in the woods?
No, I'm afraid most of
my knowledge is theoretical.
Such a... perfect spot.
Such privilege.
It's a shame...
everyone can't enjoy it.
Yeah.
It is remote, and-
That's true. Now, you think
this spot is so remote...
that only thefew can enjoy it,
but I got a plan.
I got a scheme
to developthis lake,
and I thinkthat
you could appreciate it.
Now, no need, really,
foryou to look atthese...
'cause you can envision this
betterthan they can draw,
but I wantyou to look
atthesefigures.
Now, here's
the interesting part.
For only 30 or
40 million dollars, you can-
Ah.
I beg your pardon?
I thoughtfor a moment
you were just being courteous.
What do you mean?
Nothing.
Come on, let's go get him.
We'll lose the light.
We lose the light at4:18.
There's the guy we should've
been shooting all along.
He's got some character
in hisface.
- Charles.
- Yeah?
- What's the matter?
- Huh?
Uh... no, it's nothing.
He's jaded. That's what it is.
That's it. I'm jaded.
We're going on an impromptu
adventure. You come, too.
MICKEY: Charles on an adventure?
That's right.
What do you say, Charles?
We'll be back in two hours.
- Uh...
- Get some air underyourwings.
All right.
Yeah, OK.
Behold the mighty hunter.
Come on.
Hello!
Aw, that's just great.
Our model's gone bear hunting.
How butch of him.
Where's he going?
Big Bass Lake, partner!
It's about 20 miles northwest.
And we're left here taking
a picture of sweet Fanny Anne.
- What do you say, Charles?
- Huh?
ROBERT: We, uh...
- Should we chance it?
- Be careful.
ROBERT: Careful of what?
CHARLES: It's a deadfall.
- What's a deadfall?
- It's a pitto catch bears.
What are we being careful of?
It's a bear pit.
What do you say? Should we
press on? Should we be bold?
You really need tofind him?
I need to getthatfilm.
A good plan today is better
than a perfect plan tomorrow.
- What do you say?
- OK, let's be bold.
Hey, there's the spirit
that beatthe Japanese.
Weather coming infrom
the north. Snow, maybe.
- Could I tell you something?
- Hmm? Yeah, if you like.
I admire the way you took
thatjoke last night.
Handled itwell.
Embarrassing moment.
- I thoughtyou handled itwell.
- Thank you.
Tough row to hoe,
you think about it.
Whatwould that be?
Oh, all that money.
Ah.
A lot of responsibility.
Never knowing
who yourfriends are,
never knowing
what people value youfor.
Yeah.
Must be tough.
Neverfeel sorryfor
a man who owns a plane.
So... what do you
value mefor, Bob?
Well, I tell you what...
I like your style.
And I think yourwife's
pretty cute, too.
Yes.
So... how are you planning
to kill me?
- Oh, fuck! Hold on!
- Oh, shit!
- What's happening?!
- Oh, no! Jesus!
Aah!
- God damn it!
- Look out!
Jesus!
Aah! Aah...
Bob!
OK, get him up. Get him up.
I got him.
Steve. Steve!
Anyone got any matches?
Got any matches?
Help me up.
We'll make afire right here.
Make afire.
That's better. Yeah.
Come on. Oh, God.
CHARLES: Come on.
Come on. Come on.
That's it. Come on. Oh, God.
Oh, shit.
STEPHEN: I'm cold.
Let's stopfucking about,
shall we, and getthe guy warm.
Hey, come on. We need those.
We need them.
Come on, Stephen, come on.
Come here.
ROBERT: I letthefire burn out.
CHARLES: We've only got
afewflares left.
Shouldn'twe keepthem
for signaling?
Whatwe need is...
Whatwe want is wood-quite
a bit of it, for a signalfire.
When they comefor us,
they'll see the smoke.
Huh?
- Why would they comefor us?
- Hmm?
Well, they know
we wentto the cabin.
When they go