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Говорящая голова

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maliciously manipulates him.
Being in the vortex of this
stupid play called "movie,"...
...what did my predecessor see?
Let's have a talk with the
animation director about characters.
Where's Ohtsuka?
Well, as always...
Just as I've heard.
He never answers the phone,
he's always missing.
Nobody has ever seen him.
He's the "phantom animator."
You know a lot.
I've always wanted to get a
glimpse of him with my own eyes.
Idiot!
That kind of attitude is why
he treats us with no regard.
If thatjerk keeps hiding in his
apartment, kick the door open and-!
It doesn't matter.
We'll deal with the characters later.
Let's decide about the colors first.
Color Setting
Aya Yasuda & Tsuya Yasuda
The cinematic system has always
demanded one thing as its ideology.
Actuality.
Reality.
Hence, the audience in the past
was reluctant to leave the reality...
...created by black-and-white films.
The belief that color does not go well
with realistic stories...
...led to the creation of many
black-and-white masterpieces.
Even after color films became common.
From the close-up of a shining holy lady
who receives divine favor...
...to the rain-soaked pavement
of the warehouse district...
...where Ionely gangsters stand still.
Everything that was sincere was filled
with light and pictured the world...
...of the black to white scale.
This is where truth resided.
Gaudy color films simply contributed
to the creation of vulgar...
...and nonsensical worlds with stimulating,
spectacular, and glamorous landscapes.
And?
But the truth of the matter
was exactly the opposite.
Yes. Preceding the films of truth
pictured in black and white...
...the real world was
always full of colors.
It was and is.
Long before cinematography was born.
The world people wanted to believe in
was actually the fiction...
...given birth to by technology.
In 1927, Herbert Kalmus successfully
developed a negative film...
...that was light-sensitive to the
three complementary colors to RBG:
Cyan, magenta, and yellow.
Hence, the curse of colors
in the movies became a reality.
The mask of truth was smeared with a
violent-colored paint called Technicolor!
The effort of making
heavily made-up faces appear to have...
...the brilliance of natural skin only
change the orderly idea into a real fake.
It was nothing more than
a fight without reward.
Movies, having created a sacred kingdom,
utterly ruined it...
...with the same methods and techniques
and never looked back.
On the other hand, as a
public amusement first and foremost...
...the newly-born color films had to do
more than just reproduce the colors...
...of the things that existed
in the real world.
Color movies had to be
artificially processed as things...
...with their own strengths
in order to contribute to the spectacle.
An image that reproduced beautiful
colors was nothing more than a...
...picturesque image that did not
contribute in the slightest to the story.
This made the movie a
beloved child of the times.
In order to make colors
a part of a film's explanatory action...
...and to utilize it as a motivation
in the drama...
...they had to wait for
the cinematic vision...
...that was implicitly shared
in that era, to mature.
Should we repeat that?
In order to have colors function
as an important factor in a drama...
...a series of films had to exist first.
That's what you're trying to say.
Yes!
Yellow ribbons and...
Red shoes.
Oh, the now-defunct
Soviet Embassy's red flag!
But the glory of the color films
did not last long.
As color became
a normal part of filmmaking...
...the colors retrogressed from being
the motivation, to the background...
...and the subtle coloration of Kodacolor
put an end to the last myth of the colors!
When the Black Hood changed to the
White Hood, and then to the Purple Hood...
...the end of the series was
already creeping up.
Clapping their hands
in a dingy show booth...
...but how many
Говорящая голова Говорящая голова

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