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Главная / Галактика 1980

Галактика 1980

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I don't know what
you're talking about,
Mr. Brooks.
Miss Hamilton,
I am afraid that you
are in a lot of trouble!
WELLINGTON: As you can see,
it reproduces Starla's image
by painting a picture of her
consisting of lines.
Five hundred and twenty-five
lines, to be exact.
One on top of the next,
starting at the top of
the picture and working down,
so the lines have reproduced
the light and dark areas
of Starla's face.
There, there they are.
And one of your reporters
is responsible for them.
Wellington, what are you
doing with this equipment?
Explaining it.
You said to do that.
I did not say
to ruin it.
Ruin it?
Who ruined it?
You did.
An $80,000 color camera,
they took it apart.
Every last screw.
Jamie, what is
the meaning of this?
Well...
Where are all the pieces?
Where did you hide the camera?
It's right here.
Nonsense. The pieces
were all over the place.
Yes, but...
But you seemed so upset,
we decided to put it
back together.
STARLA: We all did.
There was a number four.
We forgot a piece.
Here it is.
JAMIE: Well, it looks like
you've found your camera.
There's no way on Earth
that this can be
the same camera.
Could I see that?
That is camera four.
Is there a chance that
some of your men might have
been doing maintenance on it?
I suppose so.
The alternative is that
these children took it apart
and put it back together
again all by themselves.
Now, is that what
you're suggesting?
I think we owe
Miss Hamilton and
the children a big apology.
No, that's okay.
Mistakes happen.
Jamie, now I understand
why you were so anxious
to cover the camp story.
But who are
these kids?
I met them covering
the pollution story
at Paradise Valley.
They're orphans,
and when you said camp
for the underprivileged...
Okay, Jamie.
Maybe this'll give them
a nice day's outing.
Who knows, you might
even be able to tie
the two stories together.
I'd like to really see
Billy Eheres' camp survive.
And this angle,
I like it. The orphans,
the underprivileged kids.
Hal, I want you to shoot
me some great shots
of those kids.
I'll put it on
the 6:00 news on
the human interest segment.
You got it, Chief,
I'll make them
a household item.
I want big faces,
big faces of the kids.
Lots of close-ups,
lots of action.
Oh, Lord.
Okay, Dillon, according to
Lieutenant Nash we're supposed
to check our orders
with the computron readouts:
All readouts
are affirmative:
Computron places us on
vector point 1060:
Prepare to transfer
to automatic feed:
Preparing for transfer:
Here we go:
I wonder what Xavier
has in store for us this time:
Let's find out:
TRO Y: Something's wrong:
We're losing power:
DILLON: Power decrease
on all levels:
I don't have anything
on malfunction status:
Unless our warning
indicators themselves
must be malfunctioning:
The computron should have
taken over our flight pattern
as programmed:
Maybe Dr: Zee
made a mistake:
No, that's impossible:
Troy?
Prepare to switch back
to manual control:
Ready:
Manual control, now:
So much for that:
If she won't respond
to automatic override,
she should revert
to manual:
The function guard mechanism
must not be working:
I'd better contact
the Galactica and report
our disposition:
Maybe they can tell us
what's going on:
TRO Y: This is Galactica
probe one on special mission:
ADAMA: Galactica here:
Go ahead, Captain Troy:
TRO Y: The computron
programmed by Dr: Zee
is malfunctioning:
Malfunctioning computron?
To what are you referring?
Dillon and I made contact
with Lieutenant Nash
as ordered:
We've embarked in his Viper:
That's impossible.
Lieutenant Nash is standing
right here beside me.
Troy, there's only one other
person who could have
delivered a Viper to us:
Xavier:
ADAMA: Obviously you're
in some sort of trap:
(RADIO STATIC)
Commander, come in:
(RADIO STATIC)
Captain Troy?
Troy? Dillon?
Dispatch a recon
immediately.
Yes, Commander.
DILLON:
Галактика 1980 Галактика 1980

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