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SEBASTIAN: [Hesitates] Hmm....
Not really. I make friends.
They're toys. My friends are toys.
I make them.
It's a hobby. I'm a genetic designer.
SEBASTIAN: Do you know what that is?
PRIS: [Whispers] No.
SEBASTIAN: Ma'am?
SEBASTIAN: Yoo-hoo, home again!
Home again, home again, jiggidy-jig.
Good evening, J.F.!
SEBASTIAN: Evening, fellas.
[Soldier squeaks]
SEBASTIAN: They're my friends.
I made them.
Where are your folks?
PRIS: I'm sort of an orphan.
SEBASTIAN: Oh. What about your friends?
PRIS: I have some, but I have to find them.
I'll let them know where I am tomorrow.
SEBASTIAN: Oh?
SEBASTIAN: Can I take those things
for you?
They're soaked, aren't they?
[Electronic beeps]
DECKARD: Enhance 224 to 176.
[Electronic beeping]
[Several electronic beeps and clicks
as screen flickers]
DECKARD: Enhance. Stop.
[Repeated clicking sound as picture on
screen changes]
Move in.
DECKARD: Stop.
Pull out, track right.
Stop.
Center and, pull back.
[Repeated clicking sound]
Stop.
Track 45 right.
Stop.
Center and stop.
[Repeated clicking sound, screen beeps]
Enhance 34 to 36.
[Beeping]
[Repeated clicking sound]
Pan right and pull back.
Stop.
Enhance 34 to 46.
[Screen beeps repeatedly]
Pull back.
Wait a minute. Go right.
Stop.
Enhance 57-19.
Track 45 left.
[Repeated clicking sound]
Stop.
Enhance 15 to 23.
Give me a hard copy right there.
[Faint sound of chanting, background]
[Suspenseful music, background]
[Street clamor]
[Faint sound of chanting]
[Owl screeching]
Fish?
[Vendors shouting in background]
[Screen hisses]
WOMAN: I think it was manufactured.
WOMAN: Look.
Finest quality. Superior workmanship.
WOMAN: There is the maker's
serial number.
990-69-47...
...X/B71.
WOMAN: Interesting.
Not fish. Snake scale.
Snake?
WOMAN: Try Abdul Ben Hassan.
He make this snake!
[Chaotic crowd noise,
rhythmic Egyptian music]
[Knocking]
[Abdul mumbles in Egyptian dialect]
DECKARD: Abdul Hassan.
DECKARD: I'm a police officer.
I'd like to ask you a few questions.
DECKARD: Artificial snake license X/B71?
That's you?
This is your work? Who did you sell it to?
ABDUL: My work?
Not too many could afford such quality.
DECKARD: How many?
ABDUL: Very few.
DECKARD: How few? Look, my friend.
ABDUL: Taffey Lewis'.
Down in the Fourth Sector. Chinatown.
[Rowdy bar ambience,
Egyptian music plays]
DECKARD: Bartender.
DECKARD: Taffey Lewis?
Taffey.
DECKARD: I'd like to ask you
a few questions.
TAFFEY: Blow.
Do you ever buy any snakes
from the Egyptian, Taffey?
All the time, pal.
DECKARD: Did you ever see this girl?
Never seen her. Buzz off.
Your licenses in order, pal?
Hey, Louie. The man is dry.
Give him one on the house, okay? See ya.
[Crowd chatters]
[Phone beeps as dialed]
RACHAEL: Hello?
I've had people walk out on me before,
but not when...
...I was being so charming.
I'm in a bar, here now,
down in the Fourth Sector.
Taffey Lewis' on the line.
DECKARD: Why don't you come down here
and have a drink?
I don't think so, Mr. Deckard.
That's not my kind of place.
Go someplace else?
[Electronic disco music, crowd chatters,
background]
ANNOUNCER: [German accent]
Ladies and gentlemen...
...Taffey Lewis presents
Miss Salome and the snake.
Watch her take the pleasure
from the serpent...
...that once corrupted Man!
DECKARD: [Nasal voice] Excuse me,
Miss Salome, can I talk to you?
I'm from the American Federation
of Variety Artists.
SALOME: Oh yeah?
DECKARD: I'm not here to make you join.
No, ma'am. That's not my department.
Actually...
[Door shuts]
...I'm from the Confidential Committee
on Moral Abuses.
Committee of Moral Abuses?
There's been some reports
that the management...
...has been taking liberties
with the artists in this place.
I don't know nothin' about it.
Have you felt yourself to be
exploited in any way?
How do you mean, "exploited"?
DECKARD: Well, like
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