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Амадей

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case, gentlemen, I think. . .
. . .we should help him all we can.
And do our best to protect him
against the emperor's anger.
What anger?
About the ballet.
What ballet?
Excuse me. . .
. . .but didn't
His Majesty specifically. . .
. . .forbid the ballet at his opera?
A word with you.
Certainly, Herr Direktor.
Now, Herr Mozart!
Five minutes, please.
Do you not know that His Majesty has
expressly forbidden ballet in operas?
It's not a ballet, it's a dance
at Figaro's wedding.
Exactly. A dance.
Surely, His Majesty didn't mean
no dancing when it's in the story.
It is dangerous to interpret his edicts.
Give me your score, please.
Thank you.
What are you doing?
What are you doing?
Taking out what you should
never have put in.
Please.
I have no one else to turn to.
-What is it?
-It's unbelievable.
The Direktor has actually torn up
a huge section of my music.
They say I have to rewrite the opera.
But it's perfect as it is.
I can't. . .
. . .rewrite what's perfect.
Please.
Can't you talk to him?
Why bother with Rosenberg?
He's no friend of yours.
I could kill him.
I mean, really! Kill him!
I threw the entire score into the fire,
he made me so angry.
You burned the score?
No, my wife took it out in time.
Thank God.
It's unfair that a man like that
should have power over our work.
But others have power over him.
I think I'll take this up
with the emperor.
Excellency. . .
. . .would you?
With all my heart, Mozart.
Thank you.
Please, Herr Mozart.
""Please, it's not a holy relic. ""
I don't need to tell you
I said nothing whatever to the emperor.
I went to the theatre to tell
Mozart something, anything. . .
... when suddenly...
...in the middle of the third act...
... to my astonishment,
the emperor...
... who never attended rehearsals...
...suddenly appeared.
What is this?
I don't understand.
Is it modern?
The Herr Direktor...
. . .he has removed un balletto...
. . .that would have occurred
at this place.
Why?
It's your regulation.
No ballet in your opera.
Do you like this?
It's not a question of liking.
Your own law decrees it, I'm afraid.
Look at them!
This is nonsense!
Let me see the scene with the music.
Oblige me!
Can we see the scene
with the music, please?
Certainly!
Certainly, Herr Direktor.
Bring the palace set back in, please.
The restored third act. . .
. . .was bold, brilliant.
The fourth. . .
. . .was astounding.
I saw a woman...
...disguised in her maid's clothes...
...hear her husband speak the first
tender words he'd offered her in years.
Simply because he thinks
she is someone else.
I heard the music of true forgiveness
filling the theatre...
...conferring ob all who sat there
perfect absolution.
God was singing
through this little man...
... to all the world.
Unstoppable.
Making my defeat more bitter
with every passing bar.
And then. . .
do you know what happened?
A miracle!
With that yawn...
...l saw my defeat turn...
...into a victory.
Mozart was lucky
The emperor yawned only once.
Three yawns...
. . .and the opera would fail
the same night. Two yawns. . .
... within a week at most.
With one yawn...
. . .the composer could still get. . . .
--nine performances! Nine,
that's all it's had. . .and withdrawn.
I know, I know.
It's outrageous.
Still, if the public
doesn't like one's work. . .
. . .one has to accept the fact gracefully.
But what is it they don't like?
I can speak for the emperor. You make
too many demands on the royal ear.
He can't concentrate
over an hour.
You gave him four.
What did you think of it?
Did you like it at all?
I thought it was marvelous.
Of course.
It's the best opera yet written!
I know it.
Why didn't they come?
I think you overestimate
our dear Viennese, my friend.
You didn't even give them
a good bang at the end of songs. . .
. . .to tell them when to clap.
I know.
You should give me lessons in that.
I wouldn't presume.
Nevertheless, at the risk
Амадей Амадей

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